०६०

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सायण-भाष्यम्

‘प्र गायत्रेण’ इति चतुर्ऋचं षट्त्रिंशं सूक्तं काश्यपस्यावत्सारस्यार्षम्। तृतीया पुरउष्णिगाद्यद्वादशका द्व्यष्टका । शिष्टा गायत्र्यः । पवमानः सोमो देवता । तथा चानुक्रान्तं- प्र गायत्रेणोपान्त्या पुरउष्णिक्’ इति । उक्तो विनियोगः ॥

Jamison Brereton

60 (772)
Soma Pavamāna
Avatsāra Kāśyapa
4 verses: gāyatrī
A satisfyingly tight structure knits together this little hymn. The first and last verses contain the epithet “boundless” (vícarṣaṇi) providing a faint ring. More salient is the chaining from verse to verse: a significant portion of the final pāda of one verse opens the next verse.
The hymn also has extra-hymnic structural echoes: its final pāda is identical to the final pāda of the first verse of the preceding hymn (IX.59.1), ascribed to the same poet, save for “semen” in place of “treasure.”

Jamison Brereton Notes

On the structure of this hymn, see published introduction.

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Jamison Brereton Notes

The next 8 hymns, the last ones before the lengthy hymns assembled from tṛcas (IX.61-68) that end the dimeter collection, are attributed to Avatsāra Kāśyapa. All of them contain four vss., and a number of them are structured such that the first three vss. form a unity, with the last vs. stylistically or thematically contrastive or completive. See esp.

IX.53-57. Oldenberg tends to analyze them as a tṛca with Schlussvers, which is strictly accurate, but I think the point is the interplay of 3+1.

01 प्र गायत्रेण - गायत्री

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प्र᳓ गायत्रे᳓ण गायत
प᳓वमानं वि᳓चर्षणिम्
इ᳓न्दुं सह᳓स्रचक्षसम्

02 तं त्वा - गायत्री

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तं᳓ त्वा सह᳓स्रचक्षसम्
अ᳓थो सह᳓स्रभर्णसम्
अ᳓ति वा᳓रम् अपाविषुः

03 अति वारान्पवमानो - पुरउष्णिक्

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अ᳓ति वा᳓रान् प᳓वमानो असिष्यदत्
कल᳓शाँ अभि᳓ धावति
इ᳓न्द्रस्य हा᳓र्दि आविश᳓न्

04 इन्द्रस्य सोम - गायत्री

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इ᳓न्द्रस्य सोम रा᳓धसे
श᳓म् पवस्व विचर्षणे
प्रजा᳓वद् रे᳓त आ᳓ भर