०५९

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सायण-भाष्यम्

‘पवस्व ’ इति चतुर्ऋचं पञ्चत्रिंशं सूक्तम् । ऋष्याद्याः पूर्ववत् । ’ पवस्व’ इत्यनुक्रान्तम् । गतो विनियोगः ॥

Jamison Brereton

59 (771)
Soma Pavamāna
Avatsāra Kāśyapa
4 verses: gāyatrī
Each of the four verses contains at least one form of “purify oneself/self-purifying,” with three such imperatives in verse 2. That verse seems to contain a trio of elemental substances, which are also connected with the ritual: waters, plants, and, in our interpre tation, the hearths as holy places, representative of fire. Soma as finder of good things for us provides a thematic ring for the hymn; in verse 1 he finds the material and psy chological goods men desire, while in verse 4 he has raised the stakes to the cosmic level.

Jamison Brereton Notes

53-60 ...{Loading}...
Jamison Brereton Notes

The next 8 hymns, the last ones before the lengthy hymns assembled from tṛcas (IX.61-68) that end the dimeter collection, are attributed to Avatsāra Kāśyapa. All of them contain four vss., and a number of them are structured such that the first three vss. form a unity, with the last vs. stylistically or thematically contrastive or completive. See esp.

IX.53-57. Oldenberg tends to analyze them as a tṛca with Schlussvers, which is strictly accurate, but I think the point is the interplay of 3+1.

01 पवस्व गोजिदश्वजिद्विश्वजित्सोम - गायत्री

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प᳓वस्व गोजि᳓द् अश्वजि᳓द्
विश्वजि᳓त् सोम रण्यजि᳓त्
प्रजा᳓वद् र᳓त्नम् आ᳓ भर

02 पवस्वाद्भ्यो अदाभ्यः - गायत्री

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प᳓वस्वाद्भ्यो᳓ अ᳓दाभियः
प᳓वस्व ओ᳓षधीभियः
प᳓वस्व धिष᳓णाभियः

03 त्वं सोम - गायत्री

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तुवं᳓ सोम प᳓वमानो
वि᳓श्वानि दुरिता᳓ तर
कविः᳓ सीद नि᳓ बर्हि᳓षि

04 पवमान स्वर्विदो - गायत्री

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प᳓वमान सु᳓वर् विदो
जा᳓यमानो ऽभवो महा᳓न्
इ᳓न्दो वि᳓श्वाँ अभी᳓द् असि