०५६

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सायण-भाष्यम्

‘परि सोमः’ इति चतुर्ऋचं द्वात्रिंशं सूक्तम् । ऋष्याद्याः पूर्ववत् । “परि सोमः’ इत्यनुक्रान्तम् । उक्तो विनियोगः ॥

Jamison Brereton

56 (768)
Soma Pavamāna
Avatsāra Kāśyapa
4 verses: gāyatrī
The first three verses of this simple hymn describe Soma’s journey in the filter (vs. 1), as the liquid separates into multiple streams in the channels of the fleece (vs. 2), and his preparation by the fingers (vs. 3). The fourth verse then requests protection for ourselves and our men, while urging the soma to flow for its divine recipients.

Jamison Brereton Notes

53-60 ...{Loading}...

Jamison Brereton Notes

The next 8 hymns, the last ones before the lengthy hymns assembled from tṛcas (IX.61-68) that end the dimeter collection, are attributed to Avatsāra Kāśyapa. All of them contain four vss., and a number of them are structured such that the first three vss. form a unity, with the last vs. stylistically or thematically contrastive or completive. See esp.

IX.53-57. Oldenberg tends to analyze them as a tṛca with Schlussvers, which is strictly accurate, but I think the point is the interplay of 3+1.

01 परि सोम - गायत्री

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प᳓रि सो᳓म ऋत᳓म् बृह᳓द्
आशुः᳓ पवि᳓त्रे अर्षति
विघ्न᳓न् र᳓क्षांसि देवयुः᳓

02 यत्सोमो वाजमर्षति - गायत्री

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य᳓त् सो᳓मो वा᳓जम् अ᳓र्षति
शतं᳓ धा᳓रा अपस्यु᳓वः
इ᳓न्द्रस्य सख्य᳓म् आविश᳓न्

03 अभि त्वा - गायत्री

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अभि᳓ त्वा यो᳓षणो द᳓श
जारं᳓ न᳓ कन्या᳡नूषत
मृज्य᳓से सोम सात᳓ये

04 त्वमिन्द्राय विष्णवे - गायत्री

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तुव᳓म् इ᳓न्द्राय वि᳓ष्णवे
स्वादु᳓र् इन्दो प᳓रि स्रव
नॄ᳓न् स्तोतॄ᳓न् पाहि अं᳓हसः