०३७

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सायण-भाष्यम्

‘स सुतः’ इति षडृचं त्रयोदशं सूक्तं रहूगणस्यार्षं गायत्रं सौम्यम् । अनुक्रम्यते च-स सुतो रहूगणः’ इति । गतो विनियोगः ॥

Jamison Brereton

37 (749)
Soma Pavamāna
Rahūgaṇa Āṅgirasa
6 verses: gāyatrī
Several overt devices provide unity to this hymn: each verse begins with sá “he,” and each verse but 4 contains a verb of motion (“rush, run, flow”) expressing the journey of the soma through the filter and into the cups for Indra. In addition to the mundane details of the preparation, however, the hymn makes cosmic claims for the ritual actions. The sheep’s fleece of verse 3 also stands for “the luminous realms of heaven”; in verse 5 Soma finds a wide realm, usually a symbol of freedom and the acquisition of territory.
Verse 4, the pause on the journey, has been much discussed, and its various phrases, “on the back of Trita,” “along with (his) relatives,” also given cosmic ref erents (though there is no scholarly agreement on just what they are). We are of the opinion, however, that it primarily concerns the ritual preparation: the “back of Trita” is the filter and the “relatives” (jāmí) are, as usual in a soma context, the fingers of the officiant, namely Trita (see “Trita’s maidens,” the fingers, in the next hymn, IX.38.2). It is this ritual preparation that allows the cosmic act of Soma, making the sun shine (at the Morning Pressing), in that same verse (4).

Jamison Brereton Notes

For the rhetorical structure of the hymn, see published introduction.

01 स सुतः - गायत्री

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स᳓ सुतः᳓ पीत᳓ये वृ᳓षा
सो᳓मः पवि᳓त्रे अर्षति
विघ्न᳓न् र᳓क्षांसि देवयुः᳓

02 स पवित्रे - गायत्री

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स᳓ पवि᳓त्रे विचक्षणो᳓
ह᳓रिर् अर्षति धर्णसिः᳓
अभि᳓ यो᳓निं क᳓निक्रदत्

03 स वाजी - गायत्री

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स᳓ वाजी᳓ रोचना᳓ दिवः᳓
प᳓वमानो वि᳓ धावति
रक्षोहा᳓ वा᳓रम् अव्य᳓यम्

04 स त्रितस्याधि - गायत्री

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स᳓ त्रित᳓स्या᳓धि सा᳓नवि
प᳓वमानो अरोचयत्
जामि᳓भिः सू᳓रियं सह᳓

05 स वृत्रहा - गायत्री

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स᳓ वृत्रहा᳓ वृ᳓षा सुतो᳓
वरिवोवि᳓द् अ᳓दाभियः
सो᳓मो वा᳓जम् इवासरत्

06 स देवः - गायत्री

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स᳓ देवः᳓ कवि᳓नेषितो᳓
अभि᳓ द्रो᳓णानि धावति
इ᳓न्दुर् इ᳓न्द्राय मंह᳓ना