स्वर-मुद्रासु कस्तूरिः

Source: TW

A thread on kerala hand gestures or mudras used in vedic chanting. Madhyandina hasta mudras appear to be an independent tradition and is passed over right now.

According to Dr. Mannur Jatavedan Nambutiri, ŕṣi vaikhānasa lead by parashurāma formulated the kerala style of japasvara and mātrāsvara for udātta and anudātta vedic svaras.

As per a text ‘madhushiksha’, the padapāṭha of Rig veda is attributed to Ravana. This is from a quotation of the text in vedavikr̥tivivaraṇam by shrī P.M. Damidaran Nambutiripad. He also adds while commenting that hastamudrā tradition is explained by Ravana.

Why did the system of hastamudras arise? When the samhitā pāṭha is broken into padas svaras change; sandhi is broken; words morph. Hasta mudras clarify what is going on.

For e.g. the samhitā reading “ajoṣā vŕṣabham patim”. The ajoṣā may contain dīrghasvarita or dīrghānta. Grammar is not initially taught to the pupils. But the hand gestures resolve the ambiguity. The student will understand when he learns it later.

The following shakhas employing hasta mudras in KL -

  • Śākalya of Rig veda,
  • taittiriya of Krishna Yajurveda and
  • jaiminiya of sāmaveda.

Taittiriya system is a subset of rig veda. The samaveda employs gestures for svaras and mātrās, employing the forearm extensively.

There are 30 types of mudras in RV tradition. Some are based on mātrās of a syllable - hrasvamudra for short vowel, dīrghamudra for long vowel. Some are based on place of articulation - oṣṭhya mudra, mūrdhanya-mudra …

Enumerating the list quickly with extra notes on mudras I find interesting (Disclaimer: I don’t know kathakali)

  1. hrasva mudra - gesture for short vowel. This can be overridden by other mudras like udātta. Hamsapaksha in kathakali.
  2. ākāra mudra - for syllables ending in ā. Patākā in kathakali.
  3. Tālavyadīrgha - mudra for long palatal vowels ī and ū. Bāṇa in kathakali.
  4. Aikāra mudra - for syllable ai. Similar to 3 but little finger rotated.
  5. Oṣṭhya dïrgha - mudra for long labial vowels ū, o, au. Mukuļa in kathakali.
  6. Ukāra - mudra for short u. Kartarīmukha in kathakali.
  7. Anusvāra - mudra for short anusvāra. Muṣṭi in kathakali.
  8. Dīrghānusvāra - for long anusvāra.
  9. Hrasvavisarga - for short visarga; mudrākhya in kathakali
  10. Dīrgha visarga- long visarga; sūcimukha in kathakali. Index finger moved slightly up and down if the visarga is preceded by ai or au.
  11. Prathamānta mudra - mudra when a word ends in ‘first’ consonant of varga (k, ch, ṭ, t, p).
  12. ghoṣa mudra - text is confusing. It appears to be for voiced aspirates gha, jha, ďha, dha, and ha. Apparently useful when samhitā is unaspirated but padapātha word is aspirated; e.g: dakshat in samhitā vs dhakshat in pada.
  13. Svarapūrvaka takāra - dental t with preceding vowel. Hand is supine for short vowel and pronated for long vowel.
  14. Missing
  15. Mūrdhanya - retroflex Mudra. Used in CV where C is retroflex ṭa varga, ṣa or ļa and C is short vowel or e. Also used for ṣya and ṣva unless there is a svarita on it. E.g. uruṣya, kŕńuṣva. Then it takes the hrasva mudra.
  16. ti or tithi- mudra for syllables ending with ti or thi.Mŕgaśirṣa in kathakali
  17. Udātta - Marks udātta in a word of the mantra.
  18. 18, 19: nakāra and ṇakāra mudras. IMO to clarify dental na vs retroflex ṇa.
  19. Akārasūchaka- I find this interesting. Mudra for a in doubtful sandhi. Examples: Vidharmaṇāyatraih RV 10.46.6 splits into vidharmaṇā + ayatraih and Not vidharmaṇā + yatraih. The a in ayatraih ia indicated by the mudra.+++(5)+++ Naijan RV 1.63.1 -> na + aijan and not ejan. Yathohiṣe RV 8.5.3 -> yathā + ohiṣe and not ūhiṣe. Expected samhitā form should really be yathauhiṣe.
  20. Mudra for repha, vikāra, prakŕti and utpatti.
  • Repha eg: punah. Padapāṭha punar iti. The repha r in punar.
  • Vikāra or modification: indicates a change from retroflex to dental in padapāṭha. dūđhyah -> duh dhyah; vŕṣapāṇāsah -> vŕṣa pānāsah. Ņ becomes n.
  • Prakŕti - natural form. Clarifies initial gh, d, dh, n, r, ś or s is Natural and not due to sandhi. E.g. RV 6.11.5 srug ghŕtavatī is sruk + ghŕtavatī and not hŕtavatī. gh is original in the word.
  • Utpatti - when a sound is added in padapāṭha. RV 10.11.5 cit kambhanena -> cit + skambhanena. Additional s.
  1. Vikāraniṣedha - mudra to denote the ABSENCE of modification from retroflex to dental in the padapāṭha. E.g. praṇeṣat -> neṣat in pp and not nesat.
  2. Hrasvīkaraṇa - when a vowel shortens in padapāṭha. Vāvŕdhāte in samhita -> vāvŕdhate in pada.
  3. Ūm iti - mudra shown when ūm iti occurs in padapāṭha
  4. Avagraha - mudra shown when a compound word in samhita splits in padapāṭha. E.g. pra + śastaye.
  5. Si mudra - shown when word ends with si, sī, se, sya or sva. Bhramara in kathakali.

Based on article written by Assistant professor K.P. Parvathy, VTB college, Mannampatta, Palakkad.

I notice it doesn’t have all the 30. I omitted short notes on samaveda, yajurveda and kodanthiruppuli village style jaiminiya samaveda. The last one is not a nambudri style at all and has roots in TN.

Here is a sample of sarpa sāman in kodanthiruppuli style.