Source: TW
Swamy Desikan’s Raghuveera Gadyam Annotated Commentary in English by Oppiliappan KOil SrI Varadachari SaThakOpan
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Contents Page
Introduction to Raghuveera Gadyam 1 Commentary on Raghuveera Gadyam 8 Baala Kaandam 9 Ayodhya Kaandam 25 Kishkindha Kaandam 50 Sundara Kaandam 59 Yuddha Kaandam 61 Uththara Kaandam 102 Nigamanam 112
r"uvIr g*< ïIman! ve»qnawayR> kivtaikRk kesrI, vedaNtacayR vyaeRme siÚxÄa< sdaùid.
jyTya iïts<Ças XvaNt ivXv
Introduction
RaghuVeera Gadyam is one of the many brilliant and moving stotrams composed by Sri Vedantha Desikan, while he was residing in Thiruvahindrapuram. At this divya desam, there are the most beautiful Archa murthys of Sri Raamachandra, Sita Devi, and LakshmaNA. Swami Desikan was thrilled one day by the incomparable beauty of Sri Raamachandra giving darsanam as Kodhanda Raama at this kshetram and recollections about the extraordinary valor of our Lord and his deeds on the battlefield as the MahaVeera at Lanka. Inspired by those thoughts, he summarized in his splendid Gadyam (work in prose style) the Vaibhavam of this Maha Veera and named it appropriately Maha Veera Vaibhavam. Later this work came to be known by its popular name of Raghu Veera Gadyam.
Swami Desikan as a Sarva Tantra Svatantra might also have followed the foot steps of his PaRaamacharya, Sri Raamanuja, who composed his three master pieces in the Gadyam form (Sri Vaikunta Gadyam, Saranagathi Gadyam and Sriranga Gadyam).
Swami Desikan was so fascinated by the Gadya Trayams of Sri Raamanuja that he created a commentary on them known as Gadya Traya Bhashya. This work fits inside another work of Swami Desikan known as Rahasya Raksha with four chapters.
The first chapter of Rahasya Raksha is the commentary on Saranagathi Gadyam also known as Prthugadhyam. The second chapter is known as Mitagadhya Bhashyam consisting of commentaries on both Sriranga and Vaikunta Gadhyams. The subject matter of Sri Raamanuja’s Gadhyams were the important doctrine of Prapatthi and his supreme devotion to the Archa murthy at Srirangam worshipped by Sri Raamachandra himself (Sriranga Gadhyam) and the rapturous description of Sri Vaikuntam (Sri Vaikunta Gadyam), the supreme abode of Sriman Narayana and His consort, the object 2 of our Prapatthi.
It is not an exaggeration to state that Swami Desikan’s Raghu Veera Gadyam is his OWN Prapatthi to the Lord, who declared at Sethu: “It is my solemn covenant that I stand by anyone who surrenders his all to my keeping. According to this, Vibhishana comes under my protecting hand, which even Ravana is free to accept. I now charge Sugreeva to hail Vibhishana and lead him to me”.
“Sri Vibheeshana Sharanaagathi” It is no wonder that the entire Raamayana is revered as Saranagathi Shastra by Sri Vaishnavas. In fact, Sri Raamanuja himself learned the special meanings of Srimad Raamayanam (Saranagathi) from Srisailapurna or Thirumalai Nambi, his uncle, a native of Thiruppathi. Swami Desikan went on to describe the mystery and sacredness of Prapatthi in Sanskrit and Manipravala texts such as Saranagathi Deepikai, Abhayapradanasara, Rahasyatrayasara et al.
We are therefore fully justified in considering the delectable Raghuveera Gadyam of Swami Desikan as the celebration of the Lord’s covenant to Prapannas housed as the central message of the seven cantos of Srimad Raamayanam. Swami Desikan celebrated the veeram or ParakRaamam aspect of Veeraraghavan in this Gadyam. He went on to celebrate in yet another stotram the valor of this RaNa Pungavan presiding 3
as Archa Murthy at Thiruputkuzhi with the divya namam of Vijaya Raghavan.
Thirumangai Azhwar has performed Mangalasaasanam for Veeraraghavan; the Archa Murthy at Thiruvellore Divya Desam. Kulasekhara Azhwar celebrated the valor of the Lord Raamachandra at Tillai Thiruchitrakootam. Saint Thyagaraja saluted his valor at battle by describing Him as “Dhanda Chathuran” in his Kapi-Naarayani song “Sarasa Saama Dhana Dhanda Chathura Saati Davamevareh?”. The bard asked “O Raama! You are adept in statesmanship and in wielding the four expedients, conciliation (sama), winning over with gifts (Dhana), separating the enemies (Bheda) and punishing by war (DHANDA). Who is there equal to you?” The saint invited that Raghuveera affectionately again in his Husseini krithi: “Raghuveera RaNadheera! Raa Raa, Rajakumara!” As a part of the essay on Raghuveera Gadyam, adiyEn will cover the following items:
- When to read Srimad Raamayanam & Raghuveera Gadyam? 2. Where to read Srimad Raamayanam & Raghuveera Gadyam? 3. What are the procedures to follow before Reading either? 4. What are the fruits/benefits of reading either? 5. How do they compare in size and structure? Before answering these questions, let us offer our salutations to Lord Raamachandra!
RAAMAYA RAAMABHADRAAYA RAAMACHANDRAAYA VEDHASEH
RAGHUNAATHAAYA NAATHAYA SEETHAAYA: PATAYEH NAMA:
Meaning:
My salutations to Veda Purusha Sri Raama, who is celebrated as Raamachandra, Raamabhadra, Raghunatha and the Lord of Sita Devi.
AAPADHAAM APAHARTHAARAM DHAATHAARAM SARVA SAMPADHAAM
LOKAABHIRAAMAM SRI RAAMAM BHUYOH BHUYOH NAMAAMYAHAM
I salute again and again Sri Raama, the delight of the whole world, the reliever/ banisher of every suffering and the bestower of all riches.
4
WHEN TO READ
WHEN TO READ SRIMATH RAAMAYANAM & RAGHUVEERA GADHYAM?
The Aadhi Kaavyam (epic poem) composed by sage Valmiki (Srimad Raamayanam) consisting of seven books (Khaandas) and 645 Cantos (Sargas) is recommended for reading in a nine day stretch (Navaaham) or in a 27 day stretch. The nine day reading with starts and stops at particular chapters is recommended for the months of Chaitra, Maagha and Kartika during Sukla Paksham (5th day to the thirteenth day). The 27-day reading is to be carried out starting from the day, when the constellation of Punarvasu is in ascendance to the day, when Aardhraa constellation is in ascendance. There are elaborate procedures for reading Srimad Raamayanam (Sankalpam, Acharya Vandanam, Dhyaanam, Nyaasam (Anganyaasam and Karanyaasam) and Viniyogam for each of the Khaandams.
The procedures for reciting Swami Desikan’s Raghuveera Gadyam are few and simple.
One can recite it every day. One recites at the beginning and ending of the stotram “NEELA KOMALA RUCHIM RAAMAM BHAJEH SYAAMALAM” (I meditate on Sri Raama of cerulean hue possessing the soft luster of the blue lotus).
Next, one recites Acharya Dhyanam: “When to read Srimath Raamayanam?” 5
SRIMATHE NIGAMAANTHA MAHA DESIKAAYA NAMA: SRIMAAN VENKATANAATHAARYA: KAVITHAARKIKA KESARI
VEDHANTHAACHAARYAVARYOH MEH SANNIDHATTAAM SADHAA HRUDHI This is followed by the recitation of the entire Raghuveera Gadyam.
As the conclusion, one salutes again the composer of this stotram:
KAVITHAARKIKA SIMHAAYA KALYAANA GUNASAALINEH I SRIMATHEH VENKATESAAYA VEDAANTHAGURAVEH NAMA: II
Finally, the Mangala slokam for Sri Raama is recited:
MANGALAM KOWSALENDRAAYA MAHANEEYA GUNAATHMANEH I CHAKRAVARTHI TANUJAAYA SAARVABHOWMAAYA MANGALAM II
2. WHERE TO READ?:
One can recite both in front of a SaLagRaama murthy, Tulasi plant and in a temple or at the puja graham of one’s own home. If the recitation is done in front of SaLagRaamam, one should bathe the Murtham in milk, dry it and then start the recitation. (Sri M.S. Krishnamachar’s monograph released by Visishtaadvaita PrachariNi sabhaa contains enormous details on the types of SaaLagRaamas. Lakshmi Narasimha, Lakshmi Narayana, Seetha Raama and Lakshmi Hayagreeva SaLigRaamams are particularly welcome to be used in the PaarayaNam).
3. PURPOSES OF READING:
Those wishing progeny read BalaKhandam; those who seek wealth read Ayodhyaa Khaandam; those wanting to secure a friend or wishing to secure back lost wealth read Kishkindhaa Khaandam; those wishing fulfillment of their desires (Kaamyaarthi) read Sundara Khaandam; Yuddha Khandam is read by those wishing the destruction of their enemies/obstacles; Uttara Khaandam is read by those who wish liberation from the cycles of births and deaths (Moksham). This is for reading of the individual Khaandams of Valmiki Raamayanam. The reading of Raghuveera Gadyam confers all of the above blessings on the reciter. Both Srimad Raamayanam and Sri Raghuveera Gadyam are considered as the unsurpassed form of Gayatri Mantram.
4. A COMPARISON OF SIZES
Srimad Raamayanam has 7 Khaandams; Sri Raghuveera Gadyam has the summary of 6 Khaandams and does not include Aaranya Khaandam. You might also note that the 6
previous section on “Purpose of Reading” omitted Aaranya Khaandam.
Valmiki Raamayanam (VR) has 645 Cantos (Sargams) housed in its six books (Khaandams); Sri Raghuveera Gadyam has 92 salutations in 6 sections. The Book-byBook comparison is as follows with Raghuveera Gadyam related information in parenthesis:
- Bala Khaandam —: VR 77 (18)
- Ayodhyaa Khaandam —: VR 119 (21)
- Aaranya Khaandam —: VR 75 (0)
- Kishkindaa Khaandam —: VR 67 (5)
- Sundara Khaandam —: VR 68 (1)
- Yuddha Khaandam —: VR 128 (29)
- Uttara Khaandham —: VR 111 (18)
(While Valmiki Raamayanam has 645 cantos, Raghuveera Gadhyam has 92 salutations with the exception of preliminary salutation and concluding portions of Raghuveera Gadhyam). The Mahavira Vaibhavam or Raghuveera Gadyam summarizes succinctly the Adi Kavyam of Sage Valmiki revered as Srimad Raamayanam. In 94 Gadya (prose) passages, Sri Vedantha Desikan addresses Sri Raamachandra and salutes His Anantha Vaduvur Sri Raamar 7
Kalyana Gunas. If Gopalavimsathi is the home of mellifluous songs in verse form on Lord Krishna, Raguvira Gadyam is the treasure trove of the “songs” on Sri Raama in prose form. We meet passages from Raghuveera Gadyam in the eighth act of Swami Desikan’s allegorical play known as Sankalpa Suryodhaya housing the cardinal tenets of Sri Vaishnavism.
The salutations of the Vaibhavam (Glory) of the greatest of the scion of Raghu begin with an evocative verse:
JAYATHYAASRITHA SANTHRAASA DHWAANTHA VIDHVAMSANODHAYA: PRABHAAVAAN SEETHAYAA DEVYAA PARAMVYOMA BHASKARA:
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COMMENTARY ON SRI RAGHUVEERA GADHYAM
GENERAL SALUTATIONS:
1:
mhavIr !
2:
mhaxIr xaErey ! jy ! jy !
“Maha Dheera!” 9
BALA KHAANDAM:
3:
devasur smr smy smuidt iniol injRr inxaRirt inrvixk mahaTMy !
DEVAASURA SAMARA SAMAYA SAMUDHITHA NIKILA NIRJARA NIRDHAARITA NIRAVADHIKA MAHAATHMYA!
“Destroying Ravana” 10
4:
dzvdn dimt dEvt pir;d_yiwRt dazriwÉav !
DASAVADHANA DHAMITA DAIVATHA PARISHADHABHYARTHITHA DAASARATHI BHAAVA!
5:
idnkr k…l kml idvakr !
6:
idiv;dixpit r[ shcr[ ctur dzrw crm[ ivmaecn!
DIVISHADHIPATHI RANA SAHACHARANA CHATURA DASARATA CHARAAMA RUNA VIMOCHANA!
7:
kaeslsuta k…marÉav k uikt kar[akar !
8:
kaEmar kei¦ gaepaiyt kaEizkaXvr !
KOWMAARA KELI GOPAAYITHA KOUSIKAADHWARA!
9:
r[aXvr xuyR ÉVy idVyaô b&Nd viNdt !
RANNADWARA DHURYA BHAVYA DIVYAASTHRA BRUNDHA VANDITHA!
10:
à[t jn ivmt ivmwn ÊlRi¦t daelRi¦t ! jy ! jy !
PRANATHA JANA VIMATHA VIMATHANA DHURLALITHA DHORLALITHA! JAYA JAYA!
11 :
tnutr ivizo ivtafn iv"iqt ivzraé zraé taqka taqkey! jy ! jy ! 16
THANUTARA VISHIKHA VITHAATANA VIGHATITHA VISARAARU SARAARU TATAKAA TAATAKEYA! JAYA JAYA!
12:
jfikr[ zklxr jiql nqpit mk…q tq nqnpqu ivbuxsirt Aitb÷¦ mx ug¦n liltpd ni¦nrj %pm&idt injv&ijn jhÊpl tnuéicr prmmuin Var yuvit nut ! jy ! jy !
JATAKIRANA SAKALADHARA JATILA NATAPATHI MAKUTA THATA NATANAPATU VIBHUDASARITH ATHIBAHULA MADHUGALANA
LALITHAPADHA NALINARAJA UPAMRUDHITHA NIJAVRUJINA JAHADHUPALA TANURUCHIRA PARAAMAMUNI VARA YUVATHI NUTHA!
18
13:
k…izksut kiwt ividt nv ivivx kw ! jy ! jy !
KUSIKASUTHA KATHITA VIDHITA NAVA VIVIDHA KATHA! JAYA! JAYA!
14:
mEiwl ngr sulaecna laecn ckaer cNÔ ! jy ! jy !
MYTHILA NAGARA SULOCHANAA LOCHANA CHAKORA CHANDRA! JAYA! JAYA!
19
15:
o{fprz u kaed{f àka{f o{fn zaE{f É…j d{f ! jy ! jy !
KHANTA PARASU KOTHANDA PRAKAANTA KHANTANA SHOWNTA BHUJA DHANDA! JAYA! JAYA!
16:
c{fkr ikr[ m{fl baeixt pu{frIk vn éic lu{qak laecn! jy ! jy !
CHANDAKARA KIRANA MANDALA BODHITHA PUNDARIKA VANA RUCHI LUNDAAKA LOCHANA! JAYA! JAYA!
17:
maeict jnk ùdy z»at» ! jy ! jy !
18:
pirùt iniol nrpit vr[ jnk Êiht& k…ctq ivhr[ smuict krtl ! jy jy !
PARIHRUTHA NIKHILA NARAPATHI VARANA JANAKDHUHITRU KUCHATATA VIHARANA SAMUCHITA KARATALA! JAYA! JAYA!
19:
ztkaeiq ztgu[ kiQn prz…xr muinvr kr x&t Êrvnmtm inj xnurak;R[ àkaizt parmeó( ! jy ! jy !
SATHA KOTI SATHA GUNA KATINA PARASUDHARA MUNIVARA KARA DHRUTHA DHURAVANAMATHAMA NIJA DHANURAAKARSHANA
PRAKAASITHA PAARAMESHTYA! JAYA! JAYA!
20:
³tuhr izoir kNtuk ivùTyuNmuo ijthir diNt dNt dNtur dzvdn dmn k…zl dz zt É…j muo n&pitkul éixr Hr Éirt p&wutr tqak tipRt ipt&k É&gupit sugitivhit kr nt péif;u pirx ! jy ! jy !
KRATHUHARA SIKARI KANTHUKA VIHRUTHYUNMUKHA JITAHARI DHANTHI DHANTHA DHANDHURA DASAVADHANA DHAMANA
KUSALA DASA SATHA BHUJA MUKHA NRUPATHIKULA RUDHIRA JARA BHARITHA PRUTHUTARA TATAAKA TARPITHA PITHRUKA
BRGHUPATHI SUGADHI VIHATHIKARA NATHA PARIDHISHU PARIDHA! JAYA! JAYA!
AYODHYAA KHAANDAM
21:
An&t Éy mui;t ùdy ipt& vcn paln àit}a Av}at yaEvraJy ! jy ! jy !
ANRUTA BHAYA MUSHITHA HRUDHAYA PITRU VACHANA PAALANA PRATHIGYAAVAGYAATHA YOUVA RAAJYA! JAYA! JAYA!
22:
in;ad raj saEùd sUict saEzILy sagr ! jy ! jy !
NISHADA RAJA SOWHRUDHA SOOCHITA SOWSEELYA SAAGARA! JAYA! JAYA!
23:
ÉrÖaj zasn pirg&hIt ivicÇ icÇ kªq igir kqk tq rMya vsw ! jy ! jy !
BHARADWAAJA SAASANA PARIGRUHITA VICHITRA CHITRAKOOTA GIRI KATAKA TATA RAMYAA VASATHA! JAYA! JAYA!
24:
AnNy zasnIy ! jy ! jy !
ANANYA SAASANEEYA! JAYA! JAYA!
25:
à[t Ért mkuqtq su"iqt paÊka¢(aiÉ;ek invitRt svRlaek yaeg ]em ! jy ! jy !
PRANATHA BHARATA MAKUTATATA SUGATITHA PAADHUKAAGRYAABHISHEKA NIRVARTHITHA SARVA LOKA YOGA
KSHEMA! JAYA! JAYA!
26:
ipizt éic iviht Êirt vlmwn tny bil Éugnugit srÉs zyn t&[ zkl pirptn Éy cikt skl sur muinvr b÷mt mhaô samWyR ! jy ! jy !
PISITHA RUCHI VIHITA DHURITHA VALAMATHANA TANAYA BALIBHUGANUGATHI SARABHASA SAYANA TRUNA SAKALA PARIPATHANA
BHAYA CHAKITHA SAKALA SURA MUNIVARA BAHUMATHA MAHAASTRA SAAMARTHYA! JAYA! JAYA!
27:
Ôuih[ hr vlmwn Êrar] zrl] ! jy ! jy !
DRUHINA HARA VALATHANA DHURAARAKSHA SARALAKSHA! JAYA! JAYA!
VARAM NA YAACHEH RAGHUNAATHA YUSHMAATH PAADAABHJA BHAKTHI: SATATHAM MAMAASTHU I
IDHAM PRIYAM NAATHA! VARAM PRAYACCHA PUNA: PUNA: TVAAM IDHAMEVA YAACHEH II
28:
d{fka tpaevn j¼m pairjat ! jy ! jy !
29:
ivrax hir[ zaËRl ! jy ! jy !
VIRAADHA HARINA SAARDHOOLA! JAYA! JAYA!
30:
ivlui¦t b÷)l mo klm rjincr m&g mg&yarMÉ s<É&t cIr É&dnuraex ! jy ! jy !
VILULITHA BAHUPALA MAKA KALAMA RAJANICHARA MRUGA MRUGAYAARAMBHA SAMBRUTHA CHEERABRUDHANURODHA! JAYA!
31:
iÇizr> izriôty itimr inras vasrkr ! jy ! jy !
TRISIRA SIRAS TRITHAYA TIMIRA NIRAASA VAASARA KARA! JAYA! JAYA!
32:
Ë;[ jlinix zae;[ taei;t \i;g[ “aei;t ivjy “ae;[ ! jy ! jy !
DHUSHANA JALANIDHI SOSHANA TOSHITHA RISHIGANA GHOSHITHA VIJAYA GHOSHANA! JAYA! JAYA!
33:
ortr or té o{fn c{f pvn ! jy ! jy !
KHARATARA KHARA TARU KANTANA CHANTA PAVANA ! JAYA JAYA !
34:
iÖsÝ r]> shö n¦vn ivlaeln mhaklÉ ! jy ! jy ! DVISAPTHA RAKSHA: SAHASRA NALAVANA VILOLANA MAHAKALABHA!
JAYA! JAYA!
35:
Ashay zUr ! jy ! jy !
Srirangam Raamar Sannidhi 42
36:
Anpay sahs ! jy ! jy !
ANAPAYA SAHASA! JAYA! JAYA!
37:
miht mham&w dzRn muidt mEiwlI †Ftr pirrMÉ[ ivÉv ivraeipt ivkq vIrì[ ! jy ! jy !
MAHITA MAHAMRUTHA DARSANA MUDHITA MYTHILEE DHRUTATARA PARIRAMBHANA VIBHAVA VIROPITHA VIKATA VIRAVRANA!
JAYA! JAYA!
38:
marIc maya m&g cmR pirkimRt inÉRr dÉaRStr[ ! jy ! jy !
MARICHA MAYA MRUGA CHARMA PARIKARMITHA NIRBHARA DHARBHASTHARANA! JAYA! JAYA!
39:
iv³m yzae laÉ iv³It jIivt g&ºraj deh idx]a li]t ÉKtjn dai]{y ! jy ! jy ! Thiruchcherai Perumal 45
VIKRAAMA YASO LABHA VIKREETHA JEEVITHA GRUDHRARAJA DEHA DIDHAKSHAA LAKSHITA BHAKTHAJANA DAAKSHINYA! JAYA! JAYA!
40:
kiLpt ivbux Éav kbNxaiÉniNdt ! jy ! jy !
KALPITHA VIBHUDHA BHAAVA KABHANDHAAABHINANDITHA! JAYA! JAYA!
41:
AvNXy mihm muin jn Éjn mui;t ùdy klu; zbrI mae] sai] ÉUt ! jy ! jy !
AVANDHYA MAHIMA MUNI JANA BHAJANA MUSHITHA HRUDHAYA KALUSHA SABHARI MOKSHA SAAKSHI BHUTA! JAYA! JAYA!
42:
àÉÃn tny Éavuk Éai;t riÃt ùdy ! jy ! jy !
PRABHANJANA TANAYA BHAVUKA BHASHITHA RANJITHA HRUDHYA! JAYA! JAYA!
43:
tri[ sut zr[agt prtÙIk«t SvatÙ( ! jy ! jy !
TARANI SUTHA SARANAAGATHI PARATHANTRIKRUTA SWATANTRYA! JAYA! JAYA!
####: 44 †F"iqt kElas kaeiq ivkq ÊNÊiÉ k»a¦ kªq Ër iv]ep d] di][etr pada¼‚ó dr cln ivñSt suùdazy ! jy ! jy !
DHRUTA GATITHA KAILAASA KOTI VIKATA DUNDHUBHI KANKALA KUTA DHOORA VIKSHEPA DAKSHA DAKSHINETARA PAADHANGUSHTA DHARA
CHALANA VISWASTHA SUHRUDHAASAYA! JAYA! JAYA!
####: 45 Aitp&wul b÷ ivqip igir xri[ ivvr yug pÊdy ivv&t icÇ puŒ vEicÇ( ! jy ! jy !
ATHI PRUTHULA BAHU VITAPI GIRI DHARANI YUGAPADHUDHAYA VIVRUTHA CHITRAPUNKHA VAICHITRYA! JAYA! JAYA!
46
ivpul Éuj zElmUl inibf inpIift rav[ r[r[k jnk ctuédix ivhr[ ctur kipk…lpit ùdy ivzal izlatl dar[ daé[ izlImuo ! jy ! jy !
VIPULA BHUJA SAILAMOOLA NIBHIDA NIPEEDITHA RAVANA RANARANAKA JANAKA CHATHURUDHADHI VIHARANA CHATHURA
KAPIKULAPATHY HRUDHAYA VISALA SILATALA DHARANA DHARUNA SILEEMUKHA! JAYA JAYA!
47:
Apar paravar piroa pirv&t dv dhn jvn pvn Éav kipvr pir:v¼ Éaivt svRSv dan ! jy ! jy !
APARA PARAVARA PARIGHAA PARIVRUTHA DHAVA DAHANA JAVANA PAVANA BHAVA KAPIVARA PARISHVANGA BHAVITHA
SARVASVA DHANA! JAYA! JAYA!
INDHEEVARA DHALA SYAMAM INDHUKOTINIBHAANANAM I KANDHARPA KOTI LAVANYAM VANDEHAM RAGHUNANDANAM II
####: 48 Aiht shaedr r]> pir¢h ivs<vaid ivivx sicv ivöMÉ[ smy s<rMÉ smu¾&iMÉt svReñr Éav ! jy ! jy ! AHITA SAHODARA RAKSHA: PARIGRAHA VISAMVADHI VIVIDHA SACHIVA
VISRAMBHANA SAMAYA SAMRAMBHA SAMUJJRIMBHITHA SARVESWARA BHAAVA! JAYA! JAYA!
49-51 :
sk«t!àpÚ jn s<r][ dIi]t ! jy ! jy ! vIr ! jy ! jy ! sTyìt ! jy ! jy !
52:
àitzyn ÉUimka ÉUi;t pyaeix puiln ! jy ! jy !
PRATHISAYANA BHUMIKA BHOOSHITHA PAYODHI PULINA ! JAYA! JAYA!
53:
à¦y izio pé; ivizo izoa zaei;takªpar vairpUr ! jy ! jy !
PRALAYA SIKHI PARUSHA VISIKA SIKHA SOSHITAKUPARA VARIPURA ! JAYA! JAYA!
54:
àbl irpu klh k…tuk cqul kipk…l krtl tUilt ùt igir inkr saixt setupw sIma sImiNtt smuÔ ! jy ! jy !
PRABHALA RIPU KALAHA KUTHUKA CHATULA KAPIKULA KARATALA TOOLITHA HRUTHA GIRI NIKARA SADHITA SETHUPATHA SEEMA
SEMANTHITHA SAMUDHRA ! JAYA! JAYA!
55:
Ô‚t git té m&g vêiwnI inéÏ l»a vraex vepwu laSy lIlaepdez deizk xnuJyaR"ae; ! jy ! jy !
DHRUTHA GATHI TARU MRUGA VAROOTHINEE NIRUDDHA LANKHAVARODHA VEPATHU LAASYA LEELOPADESA DESIKA
DHANURJYAGOSHA! JAYA! JAYA!
56:
ggn cr knk igir girm xr ingmmy inj géf gédinl lv Gai¦t iv; vdn zr kdn ! jy ! jy !
GAGANA CHARA KANAKA GIRI GARIMA DHARA NIGAMAMAYA NIJA GARUDA GARUDHANILA LAVA GALITHA VISHA VADHANA SARA
KADHANA! JAYA! JAYA!
57:
Ak«tcr vncr r[kr[ vElúy kªi[ta] b÷ivx r]ae blaXy] v]> kvaq paqn piqm saqaep kaepavlep ! jy ! jy !
AKRUTHACHARA VANACHARA RANAKARANA VAILAKSHYA KOONITHAKSHA BAHUVIDHA RAKSHO BALADHYAKSHA VAKSHA: KAVATA
PATANA PATIMA SATOPA KOPAVALEPA ! JAYA! JAYA!
58:
kqurqd! Aqin q»¯it cqul kQaer kamuRo ivizo ivtafn iv"iqt mkuq ivþl ivïvStny ivïm smy ivïa[n ivOyat iv³m ! jy ! jy !
KATURATATH ATANI DANKRUTHI CHATULA KATORA KARMUKHA VISIKHA VITHATANA VIGADITHA MAKUTA VIHVALA VISRAVASTANAYA
VISRAAMA SAMAYA VISRANANA VIKHYATHA VIKRAAMA! JAYA! JAYA!
59:
kuMÉk[R k…l igir ivd¦n dMÉaei¦ ÉUt in> z» k»pÇ ! jy ! jy !
KUMBHAKARNA KULA GIRI VIDHALANA DHAMBHOLI BHOOTHA NISSANKA: KANKAPATHRA ! JAYA! JAYA!
60:
AiÉcr[ ÷tvh pircr[ iv"qn srÉs pirptd! Apirimt kipbl jlix lhir klklrv k…ipt m"vijd! AiÉhnn k«t! Anuj sai]k ra]s ÖNÖyuÏ ! jy ! jy !
ABHICHARANA HUTHAVAHA PARICHARANA VIGATANA SARABHASA PARIPATADH APARIMITHA KAPIBHALA JALADHI LAHARI KALAKALARAVA
KUPITHA MAGHAVAJITH ABHIHANANA KRUTH ANUJA SAKSHIKA RAKSHASA DWANDHWA YUDDHA ! JAYA! JAYA!
61:
AàitÖNÖ paEé; ! jy ! jy !
APRATHIDHWANDHVA POURUSHA ! JAYA! JAYA!
62:
ÈyMbk smixk “aeraôafMbr ! jy ! jy !
TRAYAMBHAKA SAMADHIKHA GHORASTHRADAMBARA! JAYA! JAYA!
63:
sariw ùt rw sÇp zaÇv sTyaipt àtap ! jy ! jy !
SAARATHI HRUTHA RATHA SATHRAPA SATHRAVA SATYAPITHA PRATHAPA !JAYA! JAYA!
64:
izt zr k«t lvn dzmuo muo dzk inptn punédy dr gi¦t jint dr tr¦ hirhy nyn ni¦nvn éic oict inpitt surté k…sum ivtit suriÉt rw pw ! jy ! jy !
SITHA SARA KRUTHA LAVANA DASAMUKHA MUKHA DASAKA NIPATHANA PUNARUDHAYA DHARA GALITHA JANITHA DHARA TARALA HARIHAYA
NAYANA NALINAVANA RUCHI KACHITHA KATHALA NIPATHITA SURATARU KUSUMA VITATHI SURABHITHA RATHA PATHA! JAYA! JAYA!
65:
Aiol jgdixk Éuj bl dz lpn dzk lvn jint kdn prvz rjincr yuvit ivlpn vcn smiv;y ingm izor inkr muor muo muin vr pirpi[t ! jy ! jy !
AKHILA JAGADHADHIKA BHUJA BALA DASA LAPANA DASAKA LAVANA JANITHA KADHANA PARAVASA RAJANICHARA YUVATHI VILAPANA
VACHANA SAMAVISHAYA NIGAMA SIKHARA NIKARA MUKHARA MUKHA MUNI VARA PARIPANITHA ! JAYA! JAYA!
66:
AiÉgt ztmuo ÷tvh ipt&pit in\Rit vé[ pvn xnd igirz muo surpit nuit muidt ! jy ! jy !
ABHIGATHA SATHAMUKHA HUTHAVAHA PITHRUPATHI NIRRUTHI VARUNA PAVANA DHANADHA GIRISA MUKHA SURAPATHI NUTHI
MUDHITHA ! JAYA! JAYA!
67:
Aimt mit ivix ividt kiwt inj ivÉv jlix p&;t lv ! jy ! jy !
AMITHA MATHI VIDHI VIDHITHA KATHITHA NIJA VIBHAVA JALADHI PRUSHATHA LAVA! JAYA! JAYA!
68:
ivgt Éy ivbux pirb&F ivbaeixt vIrzyn zaiyt vanr p&tnEa” ! jy ! jy !
VIGATHA BHAYA VIBHUTHA PARIBHRUTA VIBHOTHITHA VEERASAYANA SAAYITHA VAANARA PRUTHANOWKA! JAYA! JAYA!
69:
Sv smy iv"iqt su"iqt sùdy shxmR cair[Ik ! jy ! jy !
SVA SAMAYA VIGATITHA SUGADITHA SAHRUDHAYA SAHADHARMA CHAARINEEKA! JAYA! JAYA!
94
70:
ivÉI;[ vz<vdIk&t l»EñyR ! jy ! jy !
VIBHISHANA VASAMVADHEEKRUTHA LANKAISVARYA! JAYA! JAYA!
71:
in:pÚ k«Ty ! jy ! jy !
NISHPANNA KRUTHYA ! JAYA! JAYA!
72:
o pui:pt irpu p] ! jy ! jy !
KA PUSHPITHA RIPU PAKSHA! JAYA! JAYA!
73:
pu:pk rÉs git gae:pdIk«t ggna[Rv ! jy ! jy !
PUSHPAKA RABHASA GATHI GOSHPADHEEKRUTHA GAGANARNAVA ! JAYA! JAYA!
74:
àit}a[Rv tr[ k«t ][ Ért mnaerw s<iht is<hasnaixêF ! jy ! jy !
PRATIJNARNAVA TARANA KRUTHA KSHANA BHARATHA MANORATHA SAMHITA SIMHASANADHIROOTA ! JAYA! JAYA!
“Thipputkuzhi Sri Vijayaraghavan” 98
75:
Svaimn! ! jy ! jy !
SWAMIN! JAYA ! JAYA!
“PattAbhishekam” 100
76:
ra"v is<h ! jy ! jy !
RAGHAVA SIMHA! JAYA! JAYA!
“Raghava Simham- Thirupputkuzhi” 102
UTTHARA KHAANDAM
77:
haqk igir kqk lfh pad pIQ inkq tq pirluiQw iniol n&pit ikrIq kaeiq ivivx mi[ g[ ikr[ inkr nIraijt cr[ rajIv ! jy ! jy !
HADAKA GIRI KADAKA LADAHA PAADHA PEEDA NIKADA TADA PARILUDITHA NIKHILA NEUPATHY KIREEDA KODI VIVIDHA MANI GANA
KIRANA NIKARA NEERAJITHA CHARANA RAAJEEVA ! JAYA JAYA !
78:
idVy ÉaEmayaeXya AixdEvt ! jy ! jy !
DHIVYA BHOUMA AYODHYA ADHIDHAIVATHA ! JAYA JAYA !
79:
ipt& vx k…ipt przu xr muin iviht n&p hnn kdn pUvR kal àÉv zt gu[ àitóaipw ximRk rajv<z ! jy ! jy !
PITHRU VADHA KUPITHAPARASU DHARA MUNI VIHITHA NRUPA HANANA KADHANA POORVA KAALA PRABHAVA SATHA GUNA
PRATHISHTAPITHA DHARMIKA RAJAVAMSA! JAYA JAYA!
103
80:
zuÉ cirt rt Ért oivRt gvR gNxvR yUw gIt ivjy gawa zt! jy ! jy !
SUBHA CHARITHA RATHA KHARVITHA GARVA GANDHARVA YOOTA GEETHA VIJAYA GATA SATHA! JAYA JAYA!
81:
zaist mxu sut zÇu¹ seivt ! jy ! jy !
SAASITHA MADHUSOOTHA SATHRUGNA SEVITHA! JAYA JAYA!
82:
k…z lv pirg&hIt k…l gawa ivze; ! jy ! jy ! KUSA1 LAVA PARIGRUHEETHA KULA GATA VISESHA! JAYA JAYA!
83:
ivixvz pir[mdmr Éi[it kivvr rict inj cirt inbNxn inzmn inv&Rt ! jy ! jy !
VIDHI VASA PARINAMADHAMARA BHANITHI KAVIVARA RACHITHA NIJA CHARITHA NIBHANDHANA NISAMANA NIRVRUTHA! JAYA JAYA!
84:
svR jn sMmaint ! jy ! jy !
SARVA JANA SAMMANITHA! JAYA JAYA!
106
85:
punépSwaipt ivman vr ivïa[n àIi[t vEïv[ ivïaivt yz> àp ! jy ! jy !
PUNARUSTAPITHA VIMANA VARA VISRANANA PREENITHA VAISRAVANA VISRAVITHA YASA: PRAPANJA! JAYA JAYA!
86:
pÂtapÚ muink…mar s<jIvnam&t ! jy ! jy !
PANCHATHAPANNA MUNIKUMARA SANJEEVANAMRUTHA! JAYA JAYA!
107
87:
Çetayug àvitRt katRyug v&ÄaNt ! jy ! jy !
THRETHA YUGA PRAVARTHITHA KAATHA YUGA VRUTTHANTHA!
88:
Aivkl b÷suv[R hymo invRh[ invRitRt inj v[aRïm xmR ! jy ! jy !
AVIKALA BAHUSUVARNA HAYAMAKHA SAHASRA NIVARTHITHA NIJA VARNASRAAMA DHARMA! JAYA JAYA!
89:
svR kmR smaraXy ! jy ! jy !
SARVA KARMA SAMAARADHYA! JAYA JAYA!
90:
snatn xmR ! jy ! jy !
SANATHANA DHARMA! JAYA JAYA!
109
91:
saket jn pd jinxink j¼m tidtr jNtujat idVy git dan dizRt inTy in>sIm vEÉv ! jy ! jy !
SAKETHA JANAPADHA JANI DHANIKA JANGAMA TADHITARA JANTHUJATHA DHIVYA GATHI DHANA DARSITHA NITHYA NISSEEMA
VAIBHAVA! JAYA JAYA!
92:
Év tpn taipt É´jn ÉÔaram ! jy ! jy !
BHAVA TAPANA TAPITHA BHAKTHAJANA BHADHRARAAMA! JAYA JAYA!
110
93:
ïI ramÉÔ ! jy ! jy !
SRI RAAMABHADRA! JAYA JAYA!
94:
nmSte punSte nm> NAMASTHE PUNASTHE NAMA:
ctumeRoeñrmuoE> puÇpaEÇaidzailne nm> sItasmetay Raamay g&hmeixne CHATHURMUKHESWARA-MUKHAI: PUTHRA POUTHRADHISALINE, NAMA:
SEETHASAMETHAYA RAAMAYA GRUHAMEDHINE
111
kivkwk is<hkiwtm! kQaer suk…mar guMÉ gMÉIr Év Éy Ée;jmett! pQt mhavIr vEÉvm! suixy>
KAVIKATAKA SIMHA KATITHAM KADORA SUKUMARA GUMBHA GAMBHEERAM, BHAVA BHAYA BHESHAJAM YETHATH PADATHA MAHAVEERA VAIBHAVAM SUDHIYA:
kivtaikRk is<hay kLya[ gu[ zailne ïImte ve»qezay vedaNt gurve nm>
KAVITARKIKA SIMHAYA KALYANAGUNASAALINE SRIMATHE VENKATESAYA VEDANTHAGURAVE NAMA:
Daasan, Oppiliappan Koil VaradAchAri Sadagopan