०७

SI. 1. ओषधीनामधिपस्य -The moon is called the lord of herbs as they thrive under the influence of the lunar rays. Cf. सोमेनादित्या बलिनः सोमेन पृथिवी मही । Rg. X 85 2 commenting on which Sáyana says - अमृत से केनौषध्यभिवृद्धया पृथिव्या बलवत्वम् ( 103 ) I Also aataeû qat usd aur aalaqt ar: 1 dictauiai fagmıggt a जनमेजय । II. V. and बीजोषधीनां तोयानां राजाभूदग्रजन्मनाम् ॥ Ka. Kh. According to some it was in the lant, that was originally regarded as the king of plants, and when by a curious misapplication Soma became a name of the moon, the latter came to be called the king of plants. rf-The seventh zodiacal sign or house in a diagram representing the aspect of heavens at the time of a person’s birth from his natal sign (the one just rising above the horizon at the moment) and which is the house of the wife or husband. a g-purity, it being free from any adverse influence exerted by a planet such as the moon &c.; see Malli ̧ Cf. पापग्रहाच्चन्द्रो यदि सप्तमस्थः स्यात्तदा जामित्रवेधो नाम दोषान्तरं जायते । Also रविमन्दकुजाकान्तं मृगाङ्कात्सप्तमं त्यजेत् । विवाहयात्राचूडास गृहकर्मgaga u Some consider this word to be a contracted form of , the seventh sign indicating the future good luck of one’s wife. But it may be directly derived from If [which means a Vadhú or daughter-in-law. See Manus. III. 57; Mah. Bhár. XIII. 15; or a woman in general; see Brh. Sam. 74. 10;) and (Fraà giâ). Western scholars connect the word with the Greek ‘diametron,’ aйaary:—Meru, Mandára, Vindhya, Gaudhamádana and others; sce Pár. P. V. 7, कौतुक ० SI. 2. The coremony preliminary to a marriage so called on account of the marriage–thread (ŋw ) which forms the principal item in it. Cf. supra V. 66 and Rag. VIII. 1 (विवाहकौतुकम् ). Ohar, however says मङ्गलार्थं सुधारिकलेपादि यत्क्रियते तत्कौतुकमुच्यते । चैक - shows tho love which the citizens bore to their king. (Sl.) 3. #rap-Properly one of the five trees of heaven but here used as a general term. महापथं महत् is compounded with पथ by the rule सन्महापरमोत्तमोत्कृष्टाः पूज्यमानैः । Páp. II. 1. 61. There is, however, a rule prohibiting the use of #ga with such words as पथिन्; wiZ. शंखे तैले तथा मासे वैद्ये ज्योतिषिके द्विजे । यात्रायां पथि निद्रायां महच्छब्दो न दीयते || But we find the word so compounded by great suthors. Cf. महात्राह्मण Sak. महात्रा- S’ák. समूहजुष्टः पर्षद्वलान् महात्रराट् नैकटिकाश्रमान् । Bhatti So the rule seems to be of later growth. See Vámana on Páņ. VI. 2, 69. faige-Fine silk-cloth imported from China (which was famous for its silks from the earliest times) and much used for flags, not only for its beauty but also for its toughness. Cf. ( 104 ) चीनांशुकमिव केतोः प्रतिवातं नीयमानस्य । 8’ &k. I. 31 उच्चित्रचीनांशुकgeareafdar &c. Mál. Mád. VI. 5. ratat-The comp. is of the new. gender; cf. great. पुत्रपौ- S1, 4. -It is difficult to see what the poet means by this even though the comp. be taken as Malli. does. For according to the S’. P. Himalaya had two sons and two daughters only, viz. Maináka aud Krauñcha and Gauri and Gangá. Har हिमवतः पत्नी मैनाकं क्रौञ्चमेव च । गौरीगंगां च सुषुवे भवानाश्लेषपावनीम् ॥ S. P. Váy. Sum. XV. 52, 53. Some say-aresgegrandaaदादिरूपायाम् म्रुतांत्थिता - The direct mention of death is inauspicious and should have been avoided. उच्छुसितं-C/ सा कलपतेzzgigaíña S’ák. III. } S1. 6. मंत्र मु० - मित्रो देवतास्येति मैत्रः fr. मित्र + अणू ( अ ) by e a Pán. IV. 2. 24. According to Malli. this is the third muhurta (a period of 48 minutes) from sunrise, i. e. after 1 hour and 36 minutes after sunrise. According to another view this muhúrta is the period of the sun’s (apparently) passing through the lunar mansion Auurádhá (part of the zodiacal sigu scorpion) in the course of the day. The sun is the presiding deity of this constellation. Farho -Tho twelfth lunar mansion (one of the nakshatras mentioned as auspicious for the performance of ceremonies ). qrago-For women who have lost their husbauds or who are souless are thought to be unfit for taking part in such ceremonies. A Sl. 7. fazr-fastelsarą | white mustard which keeps off evil influences; of सरीषपः सिते तस्मिन् रक्षाघ्नो भूतनाशनः । Rabhasa. gaia grass is also held sacred by the Hindus and is worn by ladios along with flowers as auspicious (sce (so8 Vik. III. 12). offered to deities &c. fifa-fanifu may be explained as facqfa arf coveruing the navel, or as Malli. does. Some take faЯif to mean · musk ’ ( fañāt arì: produced from the navel of the musk deer); musk and silk-cloth, or a silk-cloth scented with musk. Chár. takes the comp. as fa f¤€ÎÑ¢ ga in which the silk-cloth worn round the navel was removed (as she was to be anointed); but as if dissatisfied with this way of taking it (for the spoiling of a silken cloth was no consideration in the caso of Himalaya) he also interprets it as Malli, doos. कौशेयं-कोश संभूतं by कौशाहू Pán. IV. 3. 42. (ít¶ à fær af Kás’iká). This shows ( 105 ) that in Panini’s days the art of making cloth from cocoons of silk-worms was known and cultivated, उपात्तबाणम्This refers to the custom according to which when there was a marriage between a husband of an exalted rank or higher class and a woman of a lower rank, a Kshatriya girl had to catch hold of au arrow held by her hand as she had not the privilege of directly joining her hand with that of her husband of शरः क्षत्रियया ग्राह्यः प्रतोदो वैश्यकन्यया । वसनस्य दशा ग्राद्या शूद्रयवेद || Maun. III. 44. ( Seo also Yajñavalkya I 62 ) This passage is differently explained by different Commentators क्षत्रियया पाणिग्रहणस्थाने ब्राह्मणविवाहे ब्राह्मणहस्तपरिगृहीतकाण्डेकदेशी gg: 1 Kullúka. Medhâtithi nearly says the same and adds पाणिग्रहणस्थाने शरस्य विधानात् । Narayana, however, says क्षत्रियया धृतं शरं पाणिग्रहणमन्त्रेवरी गृह्णीयात् । Raghavananda says - दशरः पाणिना क्षत्रियया गृहीतो यस्तं पाणिस्थानीयं विमी गृह्णीयात्… अन्यथा मन्त्रविरोधः । Following probably this statement the poet makes Párvati take an arrow in her hand as she was to marry Siva, vastly her superior in rank. अलंचकार - The grace of her person lent charm to her dress instead of the dress setting off her person. Cf. आमरणस्याभरणं प्रसाधनविधः प्रसाधनविशेषः । &c. Vik II असमग्रभूषणायास्तनुतर कौशयवासधारिण्याः । आलिप्तमङ्गमखिले तैलेन सुगन्धिना तस्याः । Par. P. Sl. 8 वीक्षाविधिo Perhaps the custom was provalent in Kâli.’s time. करेण - सुषुम्णाख्येन - Cha; by the ray called Sushumá (also called सुषुम्न ) - One of the seven principal rayof the sun enpplying heat to the moon. Cf सूर्यरश्मिः सुपुत्रो यस्तर्पितस्तेन चन्द्रमाः । कृष्णपक्षेमरेः शश्वत्पयते वै सुधामयः ॥ V. P. II. 2. 22. अथाप्यस्यैका रश्मिश्चन्द्रमसं पति दीप्यते … । सुषुम्णः सूर्यरश्मिश्चन्द्रमा गन्धवं इत्यपि निगमो भवति । Nirakta II. 2. 2. संधुश्य - Chari. reads संधुक्षमाणा which is better. The quotation given by Malli. ( read, aftor क्षपयन्तिः दर्पणोदरनिहिता इव मन्दिरस्यान्तः ॥ ) is from Varáhamihira’s Br. Eam; cf. also पुपोष वृद्धिं हरिदश्वदीधितेरनु - प्रवेशादिव बाल चन्द्रमाः । Rag. III. 22. € (Sl.) 9. • कल्क - The lodhara-burk pounded with water. आश्यान - p. p. of ir with आ. कालेय-कालेयक is given in Amara as & synonym of दारुहरिद्रा; but that does not seem to be intended here; and again as a kind of fragrant yellow pigment-अथ जायकं । कालीयकं ( कालेयकं . 7 ) च ) which Malli, follows here. According to Haláyndha it micane, saffron ‘काश्मीरजं च विद्वद्भिः कालेयं जागुरुं स्मृतम् ; and this will also do here. 氤 ( 106 ) Malli. himself, commenting on Sis’. XII. 14. ( कालीयकक्षोदविलेपनश्रियं दिशदिशामुल्ल सदंशुमदद्युति) understands it in this sense and quotes S’ ús’ vats in support of it; चतुष्क - चत्वारोवयवा अस्य । (Sl.) (10.) विन्यस्त० &c. -Malli. soems to take this in the sense of a floor laid with &e. see trans. ; it may also be taken in the sense of-in which a large slab formed of settings of Vaiduryas was placed. Ohár reads oशिले च तस्मिन्भक्तिOrnamental arrangement. Chár. reads अविद्ध (unperforated ) मुक्ता०. अष्टापद - अष्टौ धातवः पदानि अस्य. The अ of अट is longthoned by अटनः संज्ञायाम् । Pán. VI. 3. 126, when the comp. formed is a name; but अष्टपुत्रः तोयाः - Chár. स्नप० also स्नापयां०. मणिपीठवर्तिनीं तां मङ्गलशंखेषु मन्द्रघेोषेषु । अम्भोभिरमरनयाः सखीजनो विहितमज्जनामकरोत् ॥ Pár. P. SI. 11. उद्गमनीय - A bleached or white cloth. According to Amaru ( see com.) it refers to a pair of washod ( whitened ) garments. No stress is to be laid on युग. According to Kshirasvamin it means that which is soon ( यलक्ष्यं तदेव ); the upper garment is also seen as well as the one put undernoath; hence the term applies to both प्रत्युद्रम is the read - ing of Char. and in Chhandomañjari-fit for going forth to meet or welcoming the bridegroom निर्वृत्तपर्जन्य० -पर्जन्य fr. पृष् to shower + अन्य Unádi III. 103. पर्षति वृष्टिं ददातीतिः ष boing irregularly ( निपातनात् ) chauged to जू. प्रफुल्लुकाशाcorrespouds to—०नीयवस्रा / मङ्गल भज्जनविषदा कर्पूरक्षादपाण्डुरं क्षौमम् । साधत्त जलदधौता यौरिव शरदिन्दुचन्द्रिकाद्भेदम् ॥ Par. I. (Sl.) 12. चतुष्टय - चत्वारोवयवा अस्य | परिगृह्य - See Malli.; or having taken her with them. कौतुक -कौतुकार्था ( see (1.) 2) afą:. S1. 14. त्याजित - p. p. of the cau of श्यज् here used as a root governing two accusatives. Some grammarians, Sudhákara and others. iuclnde roots liko त्यजू, मुच् &c. in the list of the roots on the authority of in Patanjali’s Kárikâनीवह्यो हरनेश्वापि गत्यर्थानां तथैव च । द्विकर्मकेषु महणं द्रष्टव्यमिति निश्वयः । of. Rag. स्याजितैः फलमुत्खात: &c. IV. 33, भरतस्तत्र गन्धर्वान्युधि निर्जित्य केवलम् । आतोद्यं ग्राहयामास समत्याजयदायुधम् ॥ XV. 88. Others do not adopt this view. Kaiyata on अकथितं च Pan. I. 4. 61 Bays गवा पयस्त्याजयतिः of. Bhatti सन्त्याजयांचकाराथ सीतां विंशतिबाहुना | उदार - Oharming. Cf. आगुल्फलम्बमस्याः कुन्तलमन्तर्निगूढ - मन्दारम् । संयम्य चतुरबन्धं सखीजनस्तिमितनेत्रमास चिरम् ॥ Pár. P. ( 107 ) Sl. 15 अगुरु-Fragrant also wood ale called राजाई. पत्रornamental paintings. विभक्त - diversified or variegated with. ० विभङ्ग . . ( Oha. ) गोरोचनायाः पत्रविभङ्गाः पत्रलता यत्र. सैकत - Sandy bank; fr. सिकता + अणू by सिकताशर्कराभ्यांच | Pah. V. 2. 104. ( सिकताः सन्त्यस्मिन्देश इति सैकती देशः ). Sl. 10. लभ - Chár तद्यदलीनषट्पदम् Bhatti Mall. takes the Ins. roads लीन; for the idea of. न पङ्कजं 11 19. प्रसिद्धै: - 900 V. 9. अलकै :उपलक्षणे: it may also be taken करणे; on account of Cha’r remarks - कमलशशिनी किल मुखस्योपमानभूतौ । अभिभवे तु प्रसाधनमेव हेतुः । Sl. 17. कषाय - An unguent or thick juice of . As it is astringent it made the check a little rough भेद - 7. interwixture with. परभाग-Lit. the chief or excellent portion ; & position of advantage; supreme cxcellence परलाभी गुणोत्कर्षः Hala’yndha and Abhi. Chin. SI. (18.) सुविभक्त - well-proportioned symmetrical विमृष्टpolished off. Cha’ri. reads faze. कामाय -of सूर्यापाये न खलु कमनं पुष्यति स्वामभिख्याम् | Meg. II. 20 वपुरभिनवमस्याः पुष्यति स्वां न शोभां Shak. I. Yama is a period of SI. 21. बियामा - तिस्रो यामा यस्याः. three hours. The night proper has three such periods; only the first half of the first and the second half of the last being left out, as they are almost like day, there being some light and the people being active as during the day; or त्रीन्यापयतीति that which dismisses the three, viz. धर्म, अर्थ and मोक्ष-the time boing specially suited to काम. (Sl.) 24. स्तनोद - Sce I. 40. मनोरथ - viz to bestow her in. marriage on Siva. प्रथमं - s00 I. 50. Cf तस्या ललाटसीमनि चन्दनपङ्केन मेनया लिखितम् । आसीत्सितातपत्रं तिलकमनङ्गस्य दर्शितच्छायम् ॥ Pár. P. (61.) 26. क्षीरोद -The milky ocean is selected on account of its whiteness. क्षौम This was of a white colour as the comparison to फेनपु० shows. S1. 27. कुलप्रतिष्ठां - वंशयशस्करी Chár. क्रमेण - अनुज्येष्ठं according to seniority. च Sl. 29. ० प्रतीक्ष:–An Upapada T : ण ( अ ) being added by fearai a Várt, ou Páṇ. III. 2, 1. Malli.’s statement कर्मण्यणू seems to be from oversight. (61.) 30. तत्पूर्व ० - सदेव पूर्वमयं श्रेष्ठं वा and not प्रथमं as Siva was first married to Daksha’s daughter सती, or तत्पूर्वस्य पाणिग्रह- ( 108 ) णस्य similar to that of his first marriage, मातृभिः -The divine mothers attending on S’iva. They are seven | d कौमारी वैष्णवी तथा । माहेन्द्री चैव वाराही चामुण्डा सप्त मातरः ॥ or ब्राह्मी माहेश्वरी चैन्द्री वाराही वैष्णवी तथा । कौबेरीत्यपि कौमारी सप्तैवं मातरः स्मृताः ॥ ; or eight according to some ब्राह्मी कोमारी चैव चामुण्डा चार्चिकेत्यष्ट मातरः || According to others they are eighteen but they are not meant here; as if forms one of the list. Streaïfa:-31á ¤guíââ Amara.; full of respect or worshipful. पुरशासन: - ( पुरस्य शासन: ) it is better to take this as & Gen. Tat. ; if we follow Malli, the agza (in most cases and not in a few) provided by ayat age will have to be resorted to to keep off अण. Sl. 32. fæaro-Unguent of white Aguru. rf:-i, e. fra:—the beautiful head-ornament. (Sl.) 35. fagza-p), p. p. faq with fa emitted, sent forth. चूडामणे :उभयप्राप्ती कर्माण इति षष्ठी - हरस्य tho gen. is कर्तरि - S1. 37. af–See III. 41. -Kailása is the site of Kubera’s capital and the favourite abode of S’iva. It is white and the bull is compared to it on account of his whiteness and large size; see Rag. II. 35. Sl. 38. qua-A bed of lotuses of golden hue (as the deities were of golden complexion; see next sl.). stratieiयावापृथिव्योरन्तः ईश्यते इति; fr. ईश् + अ ( घञ् कर्मणि ); or अन्तः ऋक्षाणि stars अस्य; in this case the word is अन्तरिक्ष. Sl. 39. -The fierce blood-thirsty cousort of S’iva in his character of the destroyer of the world. She is reprosented as of a black colour, with a hideous and terrible countenance, dripping with blood, encircled with snakes, and hung ronud with skulls and human heads &c. She killed the demon Rakta-bija. On account of her black colour and huge form she is compared to a line of dark clouds, the skulls resembling cranes बलाकिनी - बलाका अस्या विद्यन्ते. Tho rainy season is the period of the gestation of the cranes and they are represented as congregating in the sky at the first appearance of clouds. Cf. Malli. on गर्भाधानक्षण परिचयान्नूनमाबद्धमालाः सेविष्यन्ते नयनसुभगं खे भवन्तं बलाकाः | Meg. शतह्रदाशतं हृदा अचषि rays, flashes HEAT: (Sl.) 41. #gacita:-The Par. p. makos S’esha the umbrellabearer; cf. चन्द्राकविपि चामरे विधुनुतां छत्री भवाहीश्वर । V. 24. तहुकूल -the white silken cloth of the umbrella which looked like the( 109 ) white current of the Ganges when falling from heaven, Mall. explains the Abl. by the optionality given by guíažde, Pa’n. II. 3. 34. Ilis remark arЯtæ &c. means -Nâtha’s statement = &c. is without authority from original grammar. Again if this optionality (of eeqp。 ) be accepted that of gy。 becomes rejected and the use of the Gon. in gi ¤¶¶ cannot be defended. Bo Natha’s statement must be dismissed as untenablo. (Sl.) 42 मूर्ति - P. 2 of मूर्च्छ सहंसपाने - The cluuries waved resembled swans alighting on the banks. SI. 43. श्रीवत्स ० -Lit. the favourite of Sri; a peculiar auspicious mark-according to some, a curl of hair-on the breast of Vishnu. According to the Mali, Bhár. Sán. P. it is the mark loft by the stroke of S’iva’s S’ula, and according to to the Bhag. P. of Briga’s foot. See our mole on the word, Rag. X. 10. (Sl.) 44. ¢¥ &c.-See supra II. 4, 6; cf. Rag. X. 16. Here the poet states his own belief in the unity of the three gods. It is the same god, one and alone, regarded in the three aspects of creating, protecting and withdrawing the manifested universe. This clearly shows that Kali. was not a bigoted S’aiva. His S’aivism was like that of the poet Blaṛtrihari, not even so pronounced (see Vai. S’a. 85). The natural pro pensity of his mind led him to be a worshipper of Siva; that is all. See our note ou Vik. I. 1. S1. 45. लोकपालाः -These are इन्द्रो वह्निः पितृपति ( यमः ) -नैर्ऋतो वरुणो मरुत् ( वायु: ) । कुबेर ईशः पतयः पूर्वादीनां दिशां क्रमात् ॥ Amara. gg-gỗ ( fr, q+3 Uņádi I. 24) many. gaiuga:, पुरु प्रचुरमाह्वानं यज्ञेष्वस्य पुरूणि हूतानि नामान्यस्य इति वा । (Sl.) 46. शतपत्र ० - शतपत्रं (a lotus ) योनिर्यस्य. The description here shows how an Indian imperial king received his guests and subordinates. (Sl.) 47. जयाशी :जयस्याशीः; or जयेत्या०, तिङन्ते न मयूरव्यंसका दयश्वेति तत्पुरुषः । अध्वर्यवः - Adhvarya is a particular priest; अध्वर्यूद्रातृहोतारो यजुःसामग्विदः क्रमात् । ; but the word is used here in the general sense of a priest; fr. 3%81+1+3(§; Unadi I. 38); अध्वरस्याकारलोपश्वेत्युज्वलदत्तः । (Sl.) 48. विश्वावसुविश्वं वसु यस्य. The अ is lengthened by विश्वस्य वसुराटो Pán. VI. 3. 128. प्रायहर-chief; पकष्टमयं पात्रं the foremost point ; प्राप्रे हरति; हरतेरनुद्यमने अच् ( अ ); Pay III. 2. 9. K. N 10 ( 110 ) ( Pan. प्रवीणैः - प्रकृष्टा वीणा अस्य । यद्वा वीणया प्रगायति । सत्यापIII. 1. 2 ) इति णिजन्तात्पचाद्यच । versed in playing on the lute; skilful musicians. त्रिपुरावदान: - 50e Malli, the valorous or glorious deed in connection with Tripura-i. e, his destroying with an arrow the three cities of gold, silver and iron built in the sky. in the aidspace and on earth by Maya for the demons. त्रिपुर may also moan the domon ( त्रीणि पुराण्यस्य ) and अवदान his destruction). spafac-see supra H. 58. SI. 49. व tay be taken with खेलगामी or उवाह. चामीकरचमीको स्वणांकरभेद भवस्रः तत्र भवः इति अण यदा चामी शोभां करोतीति चामीकरस्य किंकिण्यम यद्वा चामीकरस्य विकारा: चामीकराः । विकारार्थे अश | कचिदपवादविषयेपि उत्सर्गोभिनििवशते इति भाण्यात् | now see Mulli. azr-Sec I. 56. (Sl.) 50. म. –Char. 1akes this to refer to Siva. मुहतातल्यक्लप कर्मण्यधिकरणे चेति वक्तव्यात्पञ्चमी । दृष्टिपातैः - the glances darted irom the third eye ( हरतृतीयनयनपातः Char ) which had a golden brightness. SI. 51. घननील-धन 1 mloud; | dark like &c. ) or deop-dark.. स्ववाण:the path marked by the light of his arrowie the corial region sce Malli sermo tuke it to rofor to the arrow -hot 1y Siva at Brahma when running, with his pission inthiumed after his danghter ( स्वकन्यागमनोयतं ब्रह्माणमाहन्तुं निक्षित आद्रनक्षत्र पेण स्थितः शिवस्य बाण एव चिह्नं यस्य ). See supra IV. 41. C/ प्रजानाथं नाथ प्रसभमभिक स्वां दुहितरं गतं रोहितां रिमयिमृष्यस्य वपुषा । धनुष्पाणिर्यात दिवमपि सपत्राकृतमनुं वसन्तं तद्यापि त्यजति न मृगव्याधरभसः | Puspadanta’s Mahimua sl 22. The constellation मृगाशरम ( orion / is Brahma आर्द्रा the arrow. । (Sl.) 62 प्रतीतः ख्यति हृष्टे प्रतीतः Amare प्रतीतः सादरे ज्ञाते हृष्टप्रख्यातयोत्रिषु । Medini, प्रफुल्ल 1. p. of फुल्ल 1. P. to bloom or फल 1 1 to burst open ( फुल्ल or फुल्त in this sense ; फलित in other seuses ). Sl. S1. 58. अविधान also पिधान. भिन्नैक० - The simile vividly expresses the idea of the two pressing crowds mingling together. 56. This sl. occurs with necessary modifications in Rag. See VII, 5. Now the poet proceeds to describe the confusion of the ladies of the town hurrying to obtain a good view of S’iva and the procession. Such descriptions are common enough in Sanskrit; Of. S’is’. XIII. 30-48, Bud, Ch. III. 13-24, Vikraman. VI. 11-19. (111) 1 सुन्दरीणाम-सुट उननि इतिः fr. + उन्+अर like शकन्धुः Bee Várt. on Pân, VI. 1. 94. Fem. gr. Cf de quai द्विषः पटहमणादविहितापहृतयः । अवधीरितान्यकरणीयसत्वरा प्रतिरथ्यमीयुरथ dträffa: ) # Sis’. XIII. 30. (Sl.) 57-Slokas 57-62 are almost the same as iu Rag. VII. ( 6-11). आलोकमार्ग - आलोक्यतेऽनेन इत्या window of आलोक may meman light तस्य मार्गम् उद्वेष्टन उहतं बटनमस्य म उद्वेष्टनः । प्रादिभ्यो धातजस्य वाच्यो वाचोत्तरपदलोपः इति चीहि वान्तं माल्य येनः आदौं उ० पश्चाद्वान्तमान्यः । मालैव माल्यम् । चर्वणादिण्य | Virt où Pân. V. 1. 124; or gaga zfa nga ( 4 ) by Pay. III. 1. 124. ara-The use of the word is not objectionable here as it is used in a metaphorical sonse, riz. that of thrown down’; sec note on 744 VI. 37. aga here may mean a string by which it was tied up. arga-here adds emphasis:-noi at all. Malli says eqde but not in good taste. For if the lady did not think of tying up her hair when making for the window it was less likely that she should think of it when actually at the window where her attention would be more engrossed. gnq-This shows how great her absend-mindedness was. Châr, say: 591men az ala ezfaa va aniq set, but without propriety, as it does not bring out the ladies’ absentmindedness so prominently Fuaj 5817. Famar, i a Nityasamása. N1 38. अगानम -See Malli It dissolved as green the comp. will be ggpą. Malli quotes Vámana-the meaning ithe compounds gears and 30go are obtained by taking yo ( styei ) and goft ( gear ) as distinct and as identical ro÷pec tively. In the present case the nm, sua resides in the foot which is the ŋor. The poet here speaks of them both as identical disregarding the distinction between the whole grg and its forepart to which alone the 32 properly belongs. See our note on this at Rag VII 7 गवामक्षीव गवाक्षः । The word signifies a window by Kudhi ( usage) Nee notes on 62. further on. Cf. with this S’is’. XIII. 33. SL 59. This implies extreme hurry; see Malli., ef. Nimittaniding वामभागस्तु नारीणां भ्रष्टः पुंसां तु दक्षिणः । दाने देवादिTAZİ JERETÓngan The lady was in such a hurry that when she heard that the procession was advancing she besmeared hor right eye and then at once ran to the window. SI. 60. जाला०-जालान्तरे-न्तरेण वा प्रेषिता दृष्टिर्यया । नाभिप्र०-The word fax indicates depth of the navel, which is supposed ( 112 ) to be a mark of beauty. See supra I. 38; cf. Rag. VI. 52. ( आवर्तमनोज्ञनाभिः ) ( ) हरिवीक्षणाक्षणिक चक्षुषान्यया करपल्लवेन गलदम्बरं S’is’. XIII, 44. P. A to Sl. 61. अर्धा - A comp. सुप्सुपा दुर्निमित-fr. measure, to establish (The root is rarely used in classical literature ); ill-measured, ill-placed. The woman was stringing her girdle with pearls fastening one oud of the string to her big-toe. But when she heard of the approach of the procession she ran to the window. forgetting in her hurry to secure the part of the waist-hand that was strung and so all the pearls dropped down, the string only being left hanging by her great-toe. ०- Sl. 62. आसवगन्धगभैःThe word गर्भ takes परनिपात by Vart. गवादिभ्यः परा सप्तमी. Drinking wine sooms to have been a fashionable vice with the men and women of the higher societies in ancient India, if it is not merely a poetical fiction; cf. S’is’. X. 33 quoted by Malli. while commenting on IV. 12. supra; cf. also ककुद्मिकन्यावस्त्रान्तर्वासलब्धाधिवासया । मुखामोदं मंदिरया कृतानुव्याधमुद्रमन ॥ Sis’. II. 20. सान्द्र० This shows that the women remained stationary and so their faces looked like lotuses. भ्रमरेः -भ्रमन् रोतीति । भ्रमतीति वा भ्रमरः । fr. भ्रम् +अर (3⁄4fdíng-sfa za Ugádi III. 132). It is customary with poets to describe lotuses with bees hovering about them, Tag:—it means a ray of light; f something like an eye. a hole, sa becomes sig at the end of a compound when it does not mean - au eye", by 3⁄4¢uzdara | Pág. V. 4. 76. Ilence mag means a hole for admitting light and so a window by Ru’dhi or usage. Though the word ought to be new. (80 it is givon ín Kás ́ikâ ) it is mas, by custom. ( ývá šeľa). Mano- rama and Tatv. Bod. (Sl.) 68. इन्दुमौलिः –इन्दुमैलौ यस्य Vyad Bah.; मौलि takes परनिपात by गड़वादिभ्यः & see last sl. राजपथं - राज्ञः पन्थाः; or पथ राजा the chief road; here पथिन् takes परनिपात by राजदन्तादिषु परम् । Pân, II. 2. 31. (Sl.) 64. fefu: qr-is a Sauskṛit idiom for to look intently at’, see Rag. II. 19,73. :—ie, by their senses. fqq10- विषया अन्ये विषयाः वि० राणि । विषिण्वन्ति निबध्नन्ति इन्द्रियाणि इति विषया: those which attract the senses; hence the objects of sonses. ‘aga¤775zala zoqjza ♬ ergfugazíta « farafa Ohár. The women were looking at S’iva so intently that the power of perception of ( 113 ) Notice the other senses seemed to be quite paralysed, ears caught no sound, the skin felt no touch &c. Cf. Rag. VII, 12. the roading ताः शङ्करं in this connection. (Sl.) 65. अपर्णया - For the name soe supra V. 28. पलवापेलवं विरलं तनु Amara; hence dolicate, tender. SI. (61.) 66. परस्परेण - may also be taken with स्पृ० इन्दुमत्याः शांभाऽजेन स्पृहणीयस्याजस्य शोभा चेन्दुमत्या इत्यर्थः । शोभयतीति शोभा । Hemádri. द्वन्द्वंद्वौ द्वौ इति । हिशब्दस्य द्विर्वचनं पूर्वपदस्याम्भावः अलं चोत्तरपदस्य | by द्वन्द्वं रहस्यमर्यादावचन &c. Pán VIII. 1. 15. Cf. Rag. VII. 14, and निशा शशाङ्कं शिवया गिरीशं श्रिया हरिं योजयतः प्रतीतः । विधेरपि स्वारसिकः प्रयासः परस्परं योग्यसमागमाय ॥. g). · Sl. 67. व्रीडात्-बीड fr. बीड 4. I to be ashamed + अ (घ ) with a by Pan. III. 3. 103. ( ‘गुरोश्च’ हल: ) बीडा; of बीडमावहति मे स संपति Rag. XI. 73. व्रीडादिवाभ्यासगत विलिये | Sis’. III. 40. (69.) त्रिनेत्र - Malli, hore avoids the णख by rejecting its संज्ञात्व on the authority of Pan. VIII. 4. 30. केयूर०लाजमुष्टिं -It was customary for ladies, young and old, to shower handfuls of lájas (rice grains parched without being husked which swell considerably and lose the husk in the process of parching) on a distiguished person, &c. as an auspicious sign ( माङ्गलिकत्वात् ). See Rag. II. 10. पदे पदे विवाहानल इव कुसुममिश्रलांजाञ्जलिभिरवकीर्यमाणश्चन्द्रापीड: &c. Kad. p. 140. The word लाज is was, and used in the plural; दाराक्षतलाजातूनां बहुत्वं च । इति लिङ्गानुशासन सूत्रम् । चूर्णीकृतं - पुरन्धि जन सम्बन्धातिशयोक्तिः । Mulli. The Iajns were powdered rather as they came in contact with the Leyuras worn by the large assemblage of men. The keyuras are worn by men; cf. Raghu. VI. 68, Bhar, 1, Nit. 19. Cf. Rag. VII. 16. Sl. 70. अच्युत - नास्ति च्युतं स्वपदात्स्खलनमस्य । उक्षन् a bull; fr. उक्ष से चने भ्वादि: + अन् (कनि by श्वन्नुक्षन् &c. Unadi I. 182) कक्ष्याa room or hall; also कक्षा • 81, 72 विष्टर – A seat; the स् is changed to aftor वि whon the meaning is a tree or a seat; garaadiffer: 1 Páṇ. VIII. 3. 03, but वाक्यस्य विस्तरः यथावत् - यथार्हम् । तदर्हमिति वतिः । ८ / ततो यथावद्विहिताध्वराय । Rag. V. 19. अध्यापिपगाधिसुतो यथावत् । Bhatti. II. 21. गव्यं गोरिदम् । by गोपयसेोर्यत् । Pan. IV. 3. 160; clarified

• | butter and curds. All these form the ingredients of what is technically called nyч. It is to be offered to a distinguished guest, or to the bridegroom on his arrival at the door of the bride’s father. Cf अलंकृतः सितच्छत्रोऽपदातिर्ज्ञातिबान्धवैः । वृतो वधूगृहं arat मधुपर्कादिपूजितः ॥ A’s valāyana. SL. 75. This is the same as Rag. VII, 19 where the reading is ori: for 29:, fzára: –Well-trained, behaving respectfully. 1520 O -Large masses of foam give a white appearance to the This is put in because the rays of the new moon give a uild light and compare well with the humble attendant of the soraglio. The fig, is 39 and not ggr as some have it. (208.) SL. 74. Here Parvati is compared to Autumn. her fuce to the autumnal moon which appears brighter in that season (cf. aig a faggy Rag. IV. 18. and Siva’s oyes to lotuses. The attributes may be taken with शरद and लोक प्रवृद्धा आननम्रतस्य चन्द्रस्य कान्तिर्यस्याम् । प्रफुल्लानि चषीव कुमुदानि यस्मिन् । प्रसन्नं चेत इसलिल यस्मिन | Cf. in this respect प्रससादोदयादम्भः कुंमयोनेर्महौजसः । hag. IV. 21. संसृज्यमानः कर्तार देवादिकात शानच | cf संसृज्यते सर Ärz¤igfâ | Rag, V, 49, $1, 75 qazza Vik. I. fa—Accidental or fortuitous meeting, of, warrazr-The restraint of bashfulness 7.4. they could not look freely at each other. Cf Rag. VII 28, (Sl.) (1. रोमाञ्च and स्वेद are two of the right Satvikabhavawhich are manifested on the first meeting. ##-equally or at one and the same time, –indicates Utprekshâ. Cf. Rag. VII. 22, 78. -There is no special rule in Pâniņi’s grammar for the gigira of this. So we must have recourse to the Paribháshá g gái faanu qzagafa which is admitted by the Bhashyakára. So we shall have agadi also. fr. + ( यत् ) by तत्र साधुः । उभयम्य—According to Kaiyata this is not used in the dual; according to Haradatta it is (74ANIZFU द्विवचनं नास्तीति केयटः । अस्तीति हरदत्तः । Sid Kau on Pan VII. 1 62. ); cf Sis’ तस्य मित्राण्यमित्रास्त ये च ये नामये नृपाः । II. 101. रुचमदधुरुभय्यः कल्पिता भूषिताश्र | XI. 27: ततृषुश्वाभये भटाः । Bhatti, XIV, 30, SL 79. This is the same as Rag. VII. 21. fgq प्रदक्षिण–प्रदक्षिणं यथा तथा प्रक्रमणं तस्मात् । कृशानो:कश्यतीति that which reduces the mass of a thing; hence fire; fr. I+HJ (→) by Unâdi IV. 2. t: -For a see notes ou I. 2. -For framan see supra 91. 21. The sing, may be accounted for by the rule fagiafog afvezza Pan. IV. 4. 13. i. c. words not denoting as or concrete things and incapable of existing together optionally become sing, and new. (form a Sam. Dw,). But if day and night be regarded as ges this will not apply 1 Ibj and then recourse must be had to the परिभाषा सर्वोपि द्वन्द्वः &. quoted before. SI. NO. पुरोधाः पुरो धीयत इति; tho jumily priest; fr. पुर and धा + अस् Unadi IV. 230 धूं - also aai co Malli, समिद्धा०सनिद्धमर्चिर्यस्य तस्मिन् लाजमोक्षं - The offering of lajas on the fire is conjoined by the most ancient writers on marriagee rites:/ इमान् लाजानावयामि समृद्धिकरणान मम तुभ्यं (अग्रये) च संवरणं तदानिरनुमन्यतामयम् । इत्यभिधार्येय नायुप्रभूते लाजानावपन्ती - दीर्घायुरस्त में प्रतिग्धन्तां ज्ञातया मम स्वाहा | Hiranyakesi Sutra SIX. C. 2. 105. Rag. VIL 25, । Sl. Sl. लाजo is equivalent to लाजाञ्जलिधूमम्; लाजानां धूमयुक्तः अञ्जलिः तम् ० संसर्पि० कपालयोः संसप्तं (स्रप्त्) वा शीलमस्याः । ०स्पलतां -उत्पल is taken here as it is blue and compares well with धूम. Cf. nag. VII. 20. SI. 52. गण्ड० - प्रशस्ती कपो दो गण्डलेख. उच्लासि–thushod, being wetted यवा० i espront of yavas artificially crown in shade and watered with any dye. generally yellow and worn as +rnaments on the sure. आचार० The customary inhaling of smoke. Soc Malli.; अन्य वृद्धाचाराद्धग्रहणमित्याहुः | Cflag.VIII. 27. SI. 83. कर्मसासाक्षी. साक्षात् + इनिः by साक्षाद्रटार संज्ञायाम । Pap. V. 2. 91. चर्या - practising of; from च+ य with the fem. affix या by गदमयचरयमाश्चानुपसर्ग | Pay. III. 1. 1000 मुक्तविचारया -i. e. implicitly without enquiring into the reason of it. SL. श्रवणे वितत्य - is a strange expression. It simpls means-with sole attention, geo-fr, am 1. P. to sound, with उत्+अ (च); उद्भणति : A word of the पृषीदरादि class. I means what is clearly soon, or prominent; hence has great size. Sl. 85. ध्रुवदर्शनाय - It is a part of the marriage ceremony that the bride should see Dhruva (the polar star) actually if ( possible. or look in that direction, expessing a hope, in the words ध्रुवमसि ध्रुवाहं पतिकुले भूयासम्, to confirm which the bridegroom is to say-वावापृथिवी भवं विश्वमिदं जगत् । श्र्वासः पर्वता मे ध्रुवा स्त्री पतिकुले इयम् । सन्न -1) 2. p. of सद् to waste away, to be destroyed कण्ठ-voice. (Sl.) 86. उपचार - Rite, coremony. For another meaning sec sl. 88. प्रजानां पितरौ - 830 Malli on Rag I 1. पद्मा० - Brahmá is always represented as sitting on a lotusg c/ कमलासन:पितामह लोकपितॄणां मरीच्यादीनामर्यमादीनां पिता; the torm, मह is added to ŋrą and fig in the sense of father of’ by the Vârt. मातृपितृभ्यां पितरि डामहच ।

(116) (Sl.) 87. argenta: &c.-Though the lord of speech i. 8. though whatever he said was sure to come to pass, he paused; he did not know what blossing to confer on S’iva; because being aragia the whole universe was his, there was nothing that he could have wished for. Sl. 88. लौकिकलोकविदितः fr. लोक + इक (ठ) added in this sense. by dìa | V. I. 44. लोकसर्वलोकाद । -whole (unbroken) grains of rice. This is ejoined by custom. qqîráChár. reads qfqa-qq. Cf. Rag. VII. 28. एषितव्यम्. (51.) 90. वाङ्मय - वाचो विकारो वाङ्मयं composition. संस्कारgrammatical purity or faultlessness, see Malli. This refers to the custom of early ages which made women and persons of the lower ranks speak in Prákrita which is almost as old as Saus, itself. Sl. 91. Hore the poet has used some technical terms used in dramas, Sandhi is defined as अन्तरैकार्थसम्बन्धः सन्धिरेकान्वय f. e. the proper union of the main plot with episodes and other minor incidents. These are fivo in number; see com. For these see our introduction to S’âk. or Vikri, fa-properly brought out. The style of procedure prescribed for the hero. or of description ( तढ़व्यापारात्मिका वृत्तिश्वतुर्धा; नाटके वृत्तयः मोकाश्र्वत्र नावेदिभिः । ). रस - The nine well known sentiments. राग— mode of music ( in certain fixed melodies). The chief Rágas are - भैरवः कौशिकश्चैव हिन्दोलो दीपकस्तथा । श्रीरागो मेघरागश्च रागाः afea fáar: Each Rága has six Raginis as its consorts and their unions give rise to several musical modes. : representation of situations with Rasa and proper acting. अप्सरसां -अप्स is derived as अद्भयः सरन्तीति । fr. अप + + अस् by Una. IV. 237 अप्सुनिर्मथनादेव रसात्तस्माद्वरस्त्रियः । उत्पेतुर्मनुजश्रेष्ठ amızcarārazu. Ra’mayana. The Apsarases are a class of celestial women, regarded as the courtesans of gods and as such the servants of Indra. -dancing, the pantomimic fa representation of situations. (Sl.) 92. - p. p. of ag to marry; it takes optionally by वा आहिताग्रयादिषु । Pan. II. 2. 37 ; so भार्योढं also; f. भार्योढं तमवज्ञाय तस्थे सौमित्रयेऽसकी । Bhatti IV. 15. शापा०See supra IV, 41-43. Sl. 95. quæ-Name of a class of beings (goblins) attending on S’iva. See com. ( 117 ) METRES. Scheme of Ganas:

य ; ज ; स ; म i ☛ a long syll.; a short syll. Gauto I. उपजाति which is a mixture of इन्द्रवेत्र उपेन्द्रवज्जा. For det. see Malli. Seh. इन्द्र०-त त ज. ग ग. उपेन्द्र ० ज त ज ग ग. Last sl. Málini. (see Mall, on IT, 64 ) Sah - न न म य य. Canto II अनुष्टुभ्र ; lust sl. मालिनी. Canto III. उपजाति, last two sis. वसन्ततिलका aud मालिनी. वस०– उक्ता वसन्ततिलका तमजा जगौ गः । Sel त भ ज ज ग ग. Camto IV. वियोगिनी (See Malli. (1.)); Sch. 1. 3 padas - स स ज ग. 2,4 सभ र ल ग. (91.) 40. वसन्त last sl पुष्पितामा : s Malhi. पुष्पिता०- Sch. - 1. 3 pados न न र य. (2.)4 " न ज ज र ग. Canto V-Ter. Sel-a a ; last two sls aaza• Canto VI. अनुष्टुभू . Last sl पुष्पिताग्रा Canto VII. उपेन्द्रवज्जा इन्द्रवज्जा, or उपजातिः 40 मालिनी. + ( 118 ) QUESTIONS SET FROM THE TEXT AT THIE BOMBAY UNIVERSITY EXAMINATIONS.

1874-7) (CANTOS I-V )

(1.) Translate the following closely

IV. 18……

(a) तपः परामर्षविवृद्धमन्या भ्रूमध्य मुखस्य तस्य । ॥ III 71 :

किमभिराशोपहतात्मवृत्तिभिः ॥ V764 V. 72. () Name and dissolve the compounds underlined. (c) What is the metre of the 2nd stanza *

II

What evidence do you find in Kama’rasambhava tending to show the identity of its author with the author of The Raghuvamsa:

(11.) Explain the following

•

(c) 11 18 10 व्यलोकयन्नम्मर्षितैस्तडिन्मयै महातपःसाक्ष्य इव स्थिताः क्षपाः । V 23.

TV. Write grammatical notes on..

(१) लावण्य उत्पादय इवास यत्नः (२) तुलां यदारोहनि दन्तवाससा.

I

1879-1880.

Translate inte English

V 36: IV 1.

(11.) (a) Name and dissolve the following compoundsशरीरार्धहरी, वृक्षवृत्तिव्यतिरिक्तसाधनः b Comment on the grammar - अतः प्रियंवदां वदन्त्यपर्णामिति तां पुराविदः । (c) Explain the griummativasl construction: विषवृक्षाऽपि संवर्ध्य स्वयं छेत्तुमसांप्रतम् । IL, 55. What cases de faær and sa¶ govern? What is the poetic etymology given by Kâlidâsa of the words 741 and 37997.

Explain giving context where necessary :—

(11.)

(i) एकोद्दिषो गुणसन्निपाते निमज्जतीन्दोः किरणेष्विाकुः । . (6) अलोक सामान्यमचिन्त्यहेतुकं द्विपन्ति मन्दाश्चरितं महात्मनाम् ॥

V. 75.I.

( 119 )

1888–1889.

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रगुप्तां दिशमुष्णरदमों गन्तुं प्रवृत्तं समयं विलङ्घय | दिग्दक्षिणा गन्धवहं मुखेन व्यलीकनिश्वासमिवोत्ससर्ज || लब्धप्रतिष्ठाः प्रथमं यूयं किं arart: ( न खलु म्थ चलोत्तरे ) । अपवादेरियोत्सर्गाः कृतव्यावृत्तयः परेः ॥ 1. 18. विपत्प्रतीकारपरेण &. V. 70.

Name and dissolve the compounds underlined, ill H. Explain the allusions contained in the following: 11. 11. अभिलाषमुदीरितन्द्रियः स्वसुतायामकरात्प्रजापतिः । mud ILS Translate the following, adding explanations where necessary :-(a) पुपोष लावण्यमयान् विषेशान जोमान्तराणीव कलान्त राणि । (2) प्रवृत्तिरासीच्छब्दानां चरितार्था चतुयी। (1) अन्नश्वराणां मरुतां निरोधानिवातनिष्कम्पभित्र प्रदीपम । (d) भुवं वपुः काञ्चनपद्मनिर्मितं मृदु प्रकृत्या च समारमेव च । ममात्र भावैकरसं मनः स्थितं न कामवृत्तिर्वचनीयमीक्षने । IV Give the sense of the following words as used in your book giving derivation: where you can. विभूति प्रसंख्यान, पर्यङ्क: न्याय क्षेत्रविद उपत्यका V. Write short syntactical notes on the following (1) भास्वन्ति रत्नानि महौषधीच प्रवृपदिष्टदुर्धरित्रीम् विषवृक्षोऽपि संवयं स्वयं छेत्तुमसांप्रतम् । (3) मोद्भूताः प्रत्यनिलं विच नस्थलीमेरपत्र मोक्षाः । (4) स्तनसंबाधसुरां जघान | ज्योतिरूपारराम । परं VI. What theory of creation does Kalidasa put Lanth in the 2nd canto of the Kumâ rasambhava : 1891-92. (1.) Transinte : तस्याश्चतुरस्रशोभि V. 3. लग्नांरेकाञ्जनभक्तिचित्रं & III. 30. स्वयं विशीर्णपर्णवृत्तिता &c. V. 28. or वदन्त्यपर्णामिति तां पुराविदः Which reading do you prefer and why: Name and dissolve the compounds nuderlined. II. Explain the following stating the contest :- (a) अपवारियों &c. 11 27. (b) देहबद्ध &c. II 47. () ध्रुवं मेव च V. 10. (d) II 13. (e) प्रायेण सामग्र्य &c. IIL 26. ( 120 ) III. Write grammatical notes on the following:विषवृक्षोप &c. II. व्यस्तरात्रिंदिवस्य; II. 8; अवेदनाज्ञं कुलिशक्षनानाम् I. 20. वृद्धाक्षम अतन्द्रिता ; आस यत्नः ; त्रियम्बकम्. IV. Quote from the Kumársambhava verses paralled to the following:- (a) सन्तानवाहीन्यपि मानुषाणां दुःखानि सन्धुवियांगजानि । दृष्टे जने प्रेयसि दुःसहानि स्रोतः सहसैरिव सम्प्रवन्ते || (b) दिशः प्रसेदुर्मरुतो ववुः सुखाः प्रदक्षिणार्चिर्हविमिराददे । बभूव सर्व शुभशंसि तत्क्षण भवांहि लोकाभ्युदयाय तादृशाम् ॥ (1907.) (1.) Translate into English :-1,45; III, 30; IV, 13; V. 66. II. (a) Derive the following :गिरिश, चतुरस्र, सांयुगीन, वारुणी, साप्तपदीन, अर्ध्या, अर्धीतिनी. (b) What are the following in grammar: –उपेयुषे. आस in उत्पाद्य इवाssस यत्नः, उदीर्ण. (c) Discuss tho tollowing readings : - अपर्णेति च तां पुराविदः and अपर्णामिति तां पुराविदः: विमानना सुभु कुतः पितुर्गृहे and सुभ्रूः कुतः तागृहेमाननम् ( 4 ) Dissolve and name the compounds - तत्पूर्वनिबद्धया, समित्कुशम असोत्तरम्. III. Describe in English the tasks imposed on and the terrors inspired into the gods hy तारक. ]V. (5) Quote lines similar to -दुःखानि सद्वन्धुवियोगजानि दृष्टे जने प्रयास दुःसहानि स्रोतः सहसैरिव संलवन्ते ind सरसिजमनुविद्धं शैलेनाऽपि रम्यम् (b ) Quote lines in which the difficulty of opposing a fixed will is illustrated. लाल बहादुर शास्त्री राष्ट्रीय प्रशासन अकादमी, पुस्तकालय L.B.S. National Academy of Administration, Library मसूरी MUSSOORIE यह पुस्तक निम्नांकित तारीख तक वापिस करनी है ।